I’m completely behind both writing and housework this week due to a bout of strep throat (thankfully, on the mend now due to penicillin). This was the second time I’ve been laid up for several days since Sukkos, so it was pretty much a drag, and I really need to try to wrap up at least one story this week. However, I just feel the need to share this with my readers.
While lying in bed trying very hard not to swallow (it just hurt too much), I read a slew of middle grade and YA novels. Now, I know that tween and teen novels tend to share certain characteristics, and that many of these meet the psychological needs of tweens and teens. But as a once-but-no-longer teen, a particular trait rubbed me the wrong way.
Yes, older kids need to develop their growing independence, and reading novels can be a safe way to do it. But does every middle grand and YA novel (okay, that’s an exaggeration) have to show a pack of tweens or teens saving the world/nation/town/etc. with little or no help from adults? Really? Because it’s unrealistic, and frankly gets annoyingly predictable after a while.
Sure, I think that teens need to feel powerful. But they also need to be respectful of both peers and adults.
Pardon me as I slip into the wacky world of fable:
Imagine you’re driving a car. As you arrive at a stop sign, your child tells you it’s safe to make the turn. However, you see that there’s a car coming across your path, and they don’t have a stop sign. So you wait. Then, as you approach the next light, he starts yelling, “Drive faster! You can make it before it turns red.” Are you going to do it based solely on what your 11 year old is telling you?
What’s lacking? Life experience
Several of the novels I have read seem to think that the judgment and abilities of a tween or teen are sufficient to save the world. Frequently, my 11 y o gives me advice. And occasionally, I take it. But his life experience is 27 years shorter than mine. If I listened to his back seat driving, we’d have had three accidents–this week!
It seems to me, that it’s more realistic to show teens learning from adults, and then taking initiative, innovating, thinking creatively, and so on, based on those experiences. Show the teen characters becoming more independent, but also often making mistakes–because that’s a HUGE part of the teen experience: messing up when you really want to act grown-up.
Adults can play a supporting role…should they?
Some of the middle grade and YA books I’ve read show this process. The Hunger Games, for example, shows t(w)eens making mistakes and asking for and accepting the advice of adults. (It’s interesting to note also, that Katniss really wants her mom to show initiative and leadership in her family and resents having to fill in the void herself.) Hatchet shows our teen protagonist relying on the lessons he’s learned from past interactions with adults, and The School Story includes a helpful teacher. Many of the books of Joseph Bruchac include absent parents whose influence remains strong on their children, and Harry Potter often turns to grown ups for advice and help.
Some of these examples already strain my ability to suspend my disbelief. But there are many, many books that are worse. They’re supposed to be novels, but almost read like an episode of the Power Rangers: Kids don’t need adults! Adults are dead, useless, or untrustworthy! Kids can handle anything, even invaders from space!
Right.
I can’t tell if my reaction is because I’m over the hill and jaded, or if this set-up is actually dumb. Maybe kids really need to outright reject adults to meet their psychological needs. I don’t know. Personally, since I write for tweens and teen, it’s important I get a handle on this issue.
I totally agree. This is a major pet peeve of mine. It’s why I can’t stand the Series of Unfortunate Events books. As an educator, I feel like books depicting useless or harmful grownups without a counterbalance reinforce the already-present feeling in teens and Tweens that they are isolated and rudder-less. One of the things I love about the Harry Potter books is that they deal with this feeling head-on, especially in the fifth book, and then show the intricate dance of how kids truly, if painfully learn–by working things out with grown-ups at a safe distance, by choosing mentors based on merit, and by being partners with people of all ages.
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First, get the teenager to tidy his/her room, speak with a human facial expression, greet his/her parents when they come home, do his/her homework independently (meaning, with fewer than 3 dozen reminders), do his/her homework at all, put away his/her shoes, speak with a normal human voice inflection, get a job instead of constantly pestering his/her parents for allowance money, and finally learn even one of the table manners taught since he/she was two years old. Then, the teen may be ready to swat a fly or two. Next week, he or she can move on to helping an elderly person cross the street. Saving the world is for responsible adults. Indiana Jones was older than 19 when he foiled the Germans’ plot. “Ferris Beuller’s Day Off” was a complete myth and a fraud.
Interestingly, the word “teenager” wasn’t even part of the American lexicon before about 1941. Before then, there was an expectation of greater responsibility and maturity. (To be fair, life was shorter and less convenient.) Still, the relationships with adults were not absent.
Novels can raise the bar by portraying teens who accomplish noble deeds, possibly stretching the bounds of their current limitations from time to time. However, I agree that it is crucial to portray teens who respect – and learn from – the adults in their lives.
Where do such novels, in which adults are largely or totally absent, originate? They originate in a society in which far too many real-life children are raised without parents or other responsible adults in their lives. Sadly, many children are left to fend for themselves in real life, so it’s understandable that many authors want to tell such tales. The real-life outcomes are usually far less successful than the fictional ones.
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There were the Hardy Boys(1927), Nancy Drew(1930’s) and the Famous Five(1940’s). I don’t think they had much adult input, either. They were from a era of stay at home moms.
Unless someone actually discussed the Harry Potter books with them, do you think the takeaway message it gives is about growing up? Probably most kids would tell you it’s Good VS Evil and the Good guys prevail in the end.
How much influence do YA books have on tweens and teens behavior? On their values? I don’t know, I’m just wondering out loud along with you. Point me at some statistics.
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Thanks for the comments, Michal, Rachel, and Dr. Wyckoff…I love how they run the entire gamut of perspectives here.
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