how to write

Wonderful reads this weekend

beccakinla alan paskow, Gadi Pollack, how to write, illustrations, inyan magazine, st mary's college of maryland, writer, writing process 2 Comments

I had one of those weekends where I spent a lot of time enjoying magazines. On Motzei Shabbos (Saturday night), I got my Winter 2011 edition of The Mulberry Tree (the official magazine of St. Mary’s College of Maryland), and it included a tribute to the late professor Alan Paskow. Dr. Paskow’s wife, Jacqueline, was my French professor for several semesters and the couple was notable not just for their intellectual brilliance, but for their kindness and dedication to their students.

The Mulberry Tree article excerpted a talk Dr. Paskow had given shortly before his retirement from SMC, entitled “On Writing an Academic Book.” I’m finding that I identify with a lot of what Dr. Paskow says in it about the process of writing his 2004 book book, The Paradoxes of Art: A Phenomenological Investigation. Take this:
Alan Paskow, professor of philosophy
“One of the first things I experienced in beginning my work was a periodic reminder that no one had asked me to write it…One of the most difficult tasks in writing the book was to suppress thoughts about how it would be received, even whether it would be received at all. I would think: No one will publish this thing.”

This is precisely the thought that has run through my head about the novel I’m supposed revise (and which I keep finding excuses not to). It’s really a great comfort to share your most recent existential crisis with someone you really admire, and even more a comfort to know that he was able to persist, completing his book and successfully publishing it. Here’s a link to Alan Paskow’s book. http://www.amazon.com/Paradoxes-Art-Phenomenological-Investigation/dp/0521828333 I think it’s out of print, so if you want to get your hands on it without spending a lot, your best bet is probably borrowing it from a university library.

(The book addresses the idea of why fictional characters and even images of people that appear in paintings affect our emotions, even when we are fully aware they are not real. Personally, I think this quality of art is a defense of both the arts and arts education. Dr. Paskow concludes, interestingly, that the fictional subjects of works of art achieve a sort of quasi-reality that allows us to interact with them. While at first glance, such an assertion seems peculiar, think about the legions of Harry Potter and Twilight fans who talk about the characters as if they are personal friends of theirs and dress in costumes appropriate to the books. Or think about the Cornelia Funke book Inkheart and the story “I Remember the Future” by Michael Burstein.)

The other interesting read this weekend was an outstanding profile of Gadi Pollack in the Inyan Magazine (HaModia) for Parshas Vayeishev. Most people are more familiar with Mr. Pollack’s artwork than his name. Here’s a link to some of the books he has illustrated.

http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&sort=relevancerank&search-alias=books&ie=UTF8&field-author=Gadi%20Pollack

The article in Inyan detailed how Mr. Pollack integrates his artwork and his spiritual life in an inspirational way. I recommend picking up the article while last week’s magazine is still on the shelf.

My Nitzsche Moment

beccakinla how to write, reviews, revision, writing process Leave a comment

Isn’t it Nitzsche who said, “Whatever doesn’t kill me makes me stronger?”

As I posted a couple weeks ago, I circulated the rough draft of my novel-in-progress among several friends and colleagues. The feedback that has been trickling back has been very enlightening, often useful, and will probably result in a much, much better book.

However–although most of the readers have overall liked my book and said they’d recommend such a book to friends–the feedback has also been extremely demoralizing and makes me want to crawl under a rock.

Everyone insists that I ditch the prologue, make a couple characters more obnoxious, and alter a particular detail. Add more action! More fun details about the planet. Make the robot even more menacing!

Okay, okay, I get it. If four people are telling me the same thing (so far), I guess I’d better take it seriously.

It’s going to take me a long time to fix all that, plus address various other issues brought up by my invited editors, reviewers, beta readers, whatever you want to call them. Plus, I still haven’t resolved the issue about whether to make the book accessible to a wider audience by limiting my use of Hebrew terms and explaining those used, etc.

I started working at the next draft, but had to stop when my computer died. This was probably a gift from Heaven. I think I need a little break. I was sitting in front of my computer, staring for a couple minutes at the screen, then begining to hyperventilate and twitch.

And I asked for it!

The craziest part is that I would ask for the experience again, because it’ll make me a better writer, and my book will certainly be improved. (Maybe I’ll even sell this one!)

A lot of writers disregard criticism of their “babies” because it’s so painful. But so is childbirth. Literary babies have to develop and grow just like our real children, and after their initial births, you have to spend even more time and effort “educating” them before they can go out and live on their own. Yes, occasionally someone will share an opinion that no one else shares, and you can ignore it. And, yes, criticism should be shared in a respectful way. But if several people who have opinions you trust tell you the same thing, you’d better take notice.

Even if it’s painful.

Heads Up on a Nifty Article & a Cloudy Recommendation

beccakinla cloud storage, HaModia, how to write, inyan magazine, writer, writing process, Yael Mermelstein Leave a comment

THE STUPENDOUS ADVENTURES OF SHRAGI AND SHIA
A Car That Goes FarYael Mermelstein, the wonderful Jewish author, is profiled in this past week’s (Parshas Toldos) Inyan Magazine found inside the HaModia newspaper. Immediately following the article is the first of a new two-part story by Mrs. Mermelstein. In the profile, Mrs. Mermelstein gives excellent advice about how to start writing as a career or as a hobby. If you are at all interested in this topic, I recommend reading the article.

And here are links to a couple of posts I’ve written on the topic–some of the advice is the same as Mrs. Mermelstein’s, but there are other hints, as well.

http://klempnerkids.blogspot.com/2011/03/how-do-you-do-it.html

http://klempnerkids.blogspot.com/2011/03/how-do-you-do-it-part-2.html

On a totally different topic, I have to tell you that the cloud has now officially saved my -ahem!- tush. My computer died on Thanksgiving day, resulting in a second replacement of its hard drive. Aside from the back up drive that supposedly saves all our updated files every two weeks, I’ve been relying on the cloud to preserve all my new documents daily. The result–my computer flaked, but I still have my novel, with up-to-date copies of my revision-in-progress. I HIGHLY recommend that all serious writers maintain multiple backups of all files (hard copies, stored in cloud, exterior drive, etc.).

The Right tools for the Write job

beccakinla how to write, journals, pens, tools, writing implements, writing process 1 Comment

Red Metal Tool Box Clip Art

(image from Clker.com)
Each writer has a unique toolbox of implements they use while writing.
I could be speaking metaphorically, but in this case, I’m talking about actual tools. Most writers have a very special relationship with computers, word processing programs, desks, paper, journals, pens, highlighters, folders, and the like. There are favorite brands and coveted models of all these writing implements.
Most writers have very strong opinions on at least some of these items. There are Moleskin fans, Mac devotees, people who swear by fat .9 mechanical pencil points, and others who want only a black Bic Stick with a fine tip.
Sometimes, I “test drive” pens. I’m not the only one–have you ever gone to store and found the display covered in squiggles and John Hancocks? Pentel, Biro, Bic, PaperMate, and Pilot all have their advocates. Check out this great blog with comparisons of different types of pens, markers, and paper for use by wordsmiths. http://apenchantforpaper.blogspot.com/
And here’s an example of how some writers creatively re-purpose items not normally associated with writing for their exploits. http://theemptypen.wordpress.com/2011/11/13/your-best-non-writing-writing-tool/
Recently, I caved into my cheapskate habits and purchased a $0.99 composition book to use as a journal. I think I’ll have to discard it soon…I’m not using my journal like I usually do.
This seems silly, but having the right instruments makes writing more pleasurable–and therefore, you’re less likely to avoid sitting down and getting to work. (It also helps to have a comfortable chair at your computer desk.)
Currently, I prefer a blue gel pen (Pilot is my fav), medium point only. My preferred notebook is hardcover with a spiral binding so that the pages lie flat. And a pretty picture on the cover helps. That’s for journaling, outlining, diagramming–all that pre-writing work. I sometimes do my very first draft in the notebook, too, but then I switch to the computer. I’m pretty flexible on the Mac vs. PC issue, but I HATE, HATE, HATE laptops.
Did I mention that authors have strong opinions on these subjects?
Care to share yours?

Almost ready to print and distribute to a selected few

beccakinla how to write, novels, writing process Leave a comment

I’m almost done (at last) my rewrite of the novel-in-progress. It’s still too short (over 30,000 words, but not by very much), it still has a few scenes that I think are a little lame, but the characterizations are more convincing, there’s better world creation, and I think the whole thing is more coherent. I’ve lined up a few writing friends (and a couple teens, too) to read the book and tear it to shreds.

That puts me at the point of printing the copies I need to distribute. As big as an investment of time that I’ve already put into this project, the copies that I need produce to hand out will require actual moolah. Moolah is not something we have a lot of around in the Klempner residence.
Here’s a link to an interesting post on the “MY WRITING LIFE” blog on this topic: http://learnedaboutwriting.blogspot.com/2009/04/printing-manuscript-terror-and-anguish.html
The author writes that even before making copies at a print shop, astonishing length of time and price of ink invested in that first manuscript at home is frustrating. Plus, a long document inevitably requires troubleshooting due to jams, misprints, and the like. Ugh. In this case, do-it-yourself may not be either the cheapest or best option.
I’m thinking of electronically sending my document to the local Office Depot or the like and having them do the entire thing. Time to do a little comparison shopping.
And then I have to reveal to my darling husband just how much I’m spending on a book that I may never even sell.

Missing a deadline

beccakinla how to write, novels, wasting time, writing process Leave a comment

Confession time: I didn’t finish my revision of the novel-in-progress by Nov. 1st. In fact, I’m only 2/3 done and it seems just to go slower and slower. It’s so stressful, I find myself wasting time in lots of creative ways.

I’m usually great about making deadlines, so I’m trying not to view my -ahem- delay as either a failure or evidence that I’m really just a slacker.
I’m heading back to work, now.
Really.