Ever wanted to write a novel?

As some readers might know, November is National Novel Writing Month. Known as NaNoWriMo to insiders, participants sign up on the website, http://www.nanowrimo.org/, then commit to write a novel of at least 50,000 words by the end of the month. While some people find this task daunting, other people find it motivating and even exhilarating. The deadline gets people who’ve always wanted to write a novel but failed to follow the number one rule of writing (get your tush into a chair and start writing daily).
Intriguing? Well, even though it’s almost the end of the month, it’s not too late to participate! Barbara Krasner, who blogs at The Whole Megillah, is starting a Jewish version of NaNoWriMo to coincide with Jewish Book Month, which starts tomorrow (Nov. 21st).
Follow this link to get more details.

Just when you think the world is going to heck in a handbasket…

Here are links to two articles with wonderful examples of how people can support one another despite sectarian differences.
A modest-clothing blogger who is a member of the LDS church bonds with the evangelist Christian, Orthodox Jewish, and Muslim women who visit her website.
Two Muslim cabbies from Pakistan buy out a struggling Jewish owned business and vow to keep it kosher.
And yes, I found the articles when wasting time I was supposed to be working on my novel.

Ladies: Have you seen "The Heart that Sings" yet?

thts-poster-870x400
Last spring, I enjoyed the fabulous, soul-stirring, ladies-only film by Robin Garbose “The Heart that Sings.” The film is 100% kosher. Not only are performances by ladies only for ladies only, but contain authentically Jewish content. If you didn’t catch the movie the first time around, you can catch it during chol hamoed Sukkot in the following locations: Boro Park, Monsey, Crown Heights, Toronto, L.A., and Lakewood. Follow this link for times and ticket prices:
There’s also a preview available to watch on the website.

Soundtrack to the novel I’m working on

(picture by Thunder Circus on Flickr)
I’ve been wasting a lot of my precious post-bedtime lately. I’m supposed to be finishing my book, but I find myself listening to groovy music instead. In theory, it’s helping identify with various characters and create atmosphere, but honestly, I’m still pretty much avoiding real work. Here are some highlights.

“Infinity” by Shtar

“Running Away” by Matisyahu (cover of a Bob Marley song)
“I Can’t Be with You” by the Cranberries (female vocalist)
the Diwon remix of “Acharon Acharon, Chaviv” by Lipa Shmeltzer
“You are Never Alone” by Socalled
“Chalomot shel Acherim” by the Idan Raichel Project
“Rachmana” by Ta-Shma
“The Only One” by Moshav
“Down in the Now” by the Crystal Method (with Matisyahu)

Interesting perspective on modesty

Tzniut, or modesty, is an important topic for those who adopt a Torah-true lifestyle. I was attracted to Randa Abdel-Fattah’s book, Does My Head Look Big In This?, because it addresses this very issue from the Muslim perspective. I thought it would be interesting to see how a Muslim writer handled it as opposed to the Jewish writers I’m already familiar with.

Amal, a teenager in Australia, decides to begin to wear the hijab (traditional Muslim headcovering) full-time even though she attends a very White prep school. The saga of how her choice impacts more and more of her life flows logically. Amal is a very likable narrator and explains the ideology behind the hijab and other Muslim practices beautifully, and they are very much in harmony with the views of traditional Judaism. I appreciated that we see both the ups and downs along Amal’s journey, and that she stays firm on her decision at the conclusion of the book.
Amal, like most teenagers, is OBSESSED with movies, television, Cosmo, celebrity gossip, etc. We see Amal’s parents telling her that these pop-culture icons are nonsense, but we don’t see her very moved by this. Amal never seems to really get that celebrity culture and fashion magazines are completely the opposite of what the hajib stands for. Some of the trouble she must deal with is actually created by her involvement in mainstream culture. She keeps watching “Friends” even though the characters make life decisions incompatible with Islam, and she compulsively does Cosmo quizzes and uses the magazine’s advice to flirt with boys even though she will not date them. I wish the book would have been more insightful about how our society feeds into immodesty, and how it’s healthy to step out of that largely-immoral media mix.


Most Orthodox Jews would tell you that the solution is to retreat from secular media, to varying degrees. It’s common to monitor our children’s television viewing (or ban it from the house altogether), restrict what movies they see, limit internet access, and the like. Many frum children aren’t permitted to use cell phones, or the phones do not have text access. And many Orthodox Jews send their children to schools with separate girls’ and boys’ departments, if not entirely separate schools. I know that many Muslims adopt such strategies (none of which is perfect, but which help)…what puzzles me is that Ms. Abdel-Fattah doesn’t bring them up (except that Amal’s parents disapprove of Cosmo, so she has to sneak it into the house).
There are fleeting mentions of political beliefs that most Jewish readers will disagree with (there are a couple references to the Palestinian-Israeli dilemma); however, none of these are obnoxious, argumentative, or deeply offensive. There is mutual respect between all sorts of characters (it’s very nice that Jewish characters are portrayed favorably, with a marked distinction between politics and religion, although as an Orthodox Jew, I flinched when the Jewish kid falls for a non-Jew). 


Two things cause me to hesitate from recommending Does This Make My Head Look Big? to every Bais Yaakov girl, though: 


I was surprised that there is some swearing in the book (no F-bombs, though, I think), and there is some frank talk about how Amal’s beliefs address sexuality and women’s body image, although nothing graphic. However, I think that this book would be a very good read for many young women or even teachers/parents of young women. I think that the book has a lot of insights that are unlikely to be found in a YA novel published by a frum publishing house, and I think the fictional format is particularly useful in approaching this audience. I hope this book’s pro-modesty message will reach teens that wouldn’t normally pick up an Orthodox Jewish book. 

Jewish magazines still jockeying for market share

Hamodia front page.jpgYated Neeman
In the last few years, English-language Orthodox (charedi) periodicals have proliferated. (A little disclosure is appropriate here–I’ve written for both Aim! and Mishpacha Junior, am a long-time subscriber to HaModia.) Interestingly, as new publications show up, the older ones change formats (sometimes repeatedly) in order to improve their market share.
For example: HaModia came out with an online edition and now so has the Yated (honestly, I don’t know which happened first, but I heard about HaModia’s first). HaModia came out with a unique format for the kids’ mag that competes more with Weekly Reader than with any other charedi publication and sets it apart. Supplements targeted towards kosher “foodies” are in vogue almost across the board. Most recently, I noticed that Binah Bunch is now divided in two–one half “Clubhouse” (which seems designed to compete with Mishpacha Junior) and one half a tween magazine (more similar to Aim!).
Watching these “renovations” is sometimes entertaining (trying to guess the reasons behind different editorial decisions, for example), but it’s also a little depressing because these magazines HAVE to compete in order to make money. I enjoy all of them, but I can’t afford to purchase all of them on a regular basis. Neither can the average Jewish consumer, so these magazines and newspapers have to compete for our subscriptions.
It also has implications for us writers. If there’s more variety out there, there are more niches writers can develop for their writing…which is fabulous. But if everyone just tries to do the same thing, just better, (how many food magazines do we really need?) writers get locked in. I’ve seen a little of both in these format changes.
On a happier note, I think the competition has forced all the magazines to strive for a level of excellence that I don’t think has been reached before. Not only are there more magazines, but they are better than ever, I think.