Everything I need to know about Styling, I learned from LuLu

Book

Picture credit: http://etc.usf.edu/clipart/18900/18980/book_18980.htm

Okay, okay, so my title is a bit of an exaggeration. Here’s the story:

I get lots of questions from new writers about how to format manuscripts for submission. My first piece of advice is always to follow the specs articulated by the periodical or book publisher you are submitting to. However, if you don’t know where you’re sending it to, I’ve always preferred to use a sans-serif font like Arial or Helvetica for titles and author info, followed by a double-spaced body written in a simple serif font like Times New Roman or Courier. (Serif fonts have those little crowns and tails, sans-serif do not.) You can always reformat later, thanks to the magic of Microsoft Word. And don’t forget to insert a footer with a page number and your email address on every page.

In the past, that magic formula has always worked. But now that I’m working on something longer–in fact, an entire book– things have gotten complicated. It’s simply harder to be consistent across more than a hundred pages. I can’t remember how I numbered the chapters (with numerals or the numbers as words), if I put in an extra line after each chapter heading, or what size and font I used for each. Sometimes I paste in pieces from other documents and the font and size may differ. My document was turning into a mess. And don’t even ask me what happened when I went back and started to rewrite!

That’s where LuLu stepped in. You see, I was doing a lot of research last week and the week before regarding e-publishing (hence a couple blog posts wherein I mentioned it). If you publish an ebook through LuLu, you have to use a very specific format. Or, rather, you Style instead of Format.

Most of us look at the Style menu in Word and have no idea what to do with it. We write using the Format menus, sometimes just out of habit.  Even if you don’t plan to use LuLu, your editor will still be much happier if you use Styles. Doing so can save you time, but it also will increase consistency throughout a document and prep it for conversion into other document formats like Adobe InDesign or ePub. In fact, if you use LuLu, you have to use Styles, because that’s what triggers page breaks for chapters and creates your table of contents.

Some people hate the way the Styles look, or object to the fonts and spacing used. That’s okay! With a little practice, you can create your own Style and apply it throughout your Word document. Want to learn how to do this? Here are some links that can help you:
http://floridawriters.wordpress.com/2011/12/30/tool-time-using-styles-in-word-to-help-with-your-formatting/
http://www.thebookdesigner.com/2010/04/authors-keep-formatting-when-they-should-be-styling/
http://daiya.mvps.org/bookwordframes.htm

I doubt I’ll go the LuLu route, but I owe the company a debt of gratitude. My reStyled document looks beautiful and is perfectly consistent and organized. Now if only I can finish my rewrite…

 

This is officially a rant.

Please forgive me for the following. I cannot help myself.

In the middle of this lovely Jewish holiday of Sukkot, I find myself very cranky instead of all smiley-faces. I just received a rejection letter (the second for this particular writing project), but that’s not the thing that upsets me the most. What upsets me the most is that there are so few options left for me on this project.
I am an author. I am a first-rate doodler, but I am not an illustrator. And because of that, many publishers and agents don’t even want to hear from me. Many, if not most, have closed their doors to unsolicited picture book manuscripts that are submitted without illustrations attached.
There are some wonderful author-illustrators out there. But even many famous ones write books not illustrated by themselves (Mo Willems, Rosemary Wells, and Kevin Henkes, for example), and there are also examples of books that would have been better if the publisher had given the writing and illustrating jobs to separate people (I refuse to name names, as this would be hurtful). Outstanding words rarely come from outstanding graphic artists. Many wonderful authors would never be heard from if they had to prove their drawing chops just to get a book deal.
Maybe an editor or agent can explain this trend to me, but right now I’m busy having a pity party. Try me some other time.