A Fun Editing Gig, almost Complete!!

(Yeah, yeah, yeah…I know, I missed my Wednesday post. But here I am, making it up to you just one day late.)

I thought I’d share a little bit about one of my editing gigs, which is just about wrapped up now. I’ve been consulting with Ganit and Adir Levy about their upcoming picture book, What Should Danny Do?

The Levys came to me several months back with a rough draft of their picture book. At the initial consultation, I gave them a list of changes to make and issues to address. They had a lot of questions for me, too, and we scheduled a series of meetings where we inched towards that final draft.

What made the Levys such a pleasure to work with was their persistence. So many writers panic when presented with rigorous WORK. They question whether they are good enough, they let a critique get them down, and they give up…or they simply blow off insightful feedback and continue about their merry way while ignoring the advice which would have made all the difference for their book. The Levys took criticism in stride, chose carefully what to accept and what to decline, and then tinkered and tinkered until they were happy with their text.

What Should Danny Do? is nearly ready to go to print, and I couldn’t be more excited. Today, we did one final copy edit. I’ll give you more information when we get closer to the release date.

 

A Copyeditor’s Rant

During my disappearance from this blog, I spent a lot of my time proofreading, editing, and copyediting.

First, while people tend to use the terms interchangeably:

  • A proofreader checks text for syntax, spelling, punctuation, and other similar errors and corrects them.
  • An editor may do the above, but also will consider the content of the piece, the order of sentences, meaning, style, how the author addresses the audience, and other, deeper issues.
  • A copyeditor deals with text intended for publication – for instance, in a magazine or a book, proofreads it, checks it for accuracy (for instance, are the names of sources spelled correctly?), and then formats the material according to the “house style” of the publisher.

As you can see, each job has slightly different responsibilities. Mostly, I’ve been copyediting the local publication I mentioned in earlier blog posts. In general, I love the job. The hours are flexible (so I’m free to take care of sick kids or errands), and I get to make other writers look good. I’ve developed great working relationships with several of the columnists, thank G-d.

But there are also annoyances. And – without naming names – I’m going to tell you about some of them, because many of the people who read this blog are also writers, and those who aren’t may still be in a position where they have to write something for public consumption. A little awareness about common issues might prove helpful to you.

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Trade-offs: editing vs writing

I’ve been spending a lot of time copyediting (and proofreading and plain ole editing) the last couple weeks.

I have not been spending a lot of time writing.

I have mixed feelings. Editing brings in money. It is easier. I get paid faster, at least usually. I get a certain pleasure from helping other people sound clever and polished.

But I have my own projects to complete. In between editing, I’ve been revising a story I wrote last year, and I wrote a tiny piece of flash fiction yesterday while my kids did their homework at the library. However, I’ve got more to write, so much more. The ideas zoom around my head at night.

I worry that I’m trading a bit of quick money for my own creative accomplishments. Yet there are bills to pay.

Hmpf.

The Top 5 Things I had to cut from “The Force Isn’t With Me Anymore,” my new essay up on Tablet

My new piece up on Tablet, “The Force Isn’t With Me Anymore,” is about how my lifelong love of Star Wars is clashing with my commitment not to go to the movies. Yes, it is true, this fangirl, the child formerly known in some circles as “Chewbecca,” will not be watching “The Force Awakens.”

O Death Star Play Set, how I miss thee!!

Writing the piece was loads of fun: I got to relive many happy minutes of my childhood. In the original draft, I described the scene when I received my beloved Death Star Play Set (from Kenner!) in loving detail, and included all sorts of wacky stuff that I had to cut for length before turning the article into Tablet. 

Editing out all that material was painful, and so I give you…

THE TOP 5 THINGS I HAD TO CUT FROM “THE FORCE ISN’T WITH ME ANYMORE:”

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The Rejection Letter that’s Good for You

Yesterday, I got a rejection letter.

Yes, it happens a lot.

I’ve argued in the past that rejection letters are good for you, and I’ve gotten better at taking them in stride, but this one went even further. Its timing couldn’t have been more perfect.

You see, last night was my monthly writers’ workshop. All morning, I’d been trying to decide on a piece to bring and share. When that rejection letter appeared in my inbox around noon, I decided it was a sign.

No, not that kind of sign.

Not just a sign, but a Sign — “This is the piece you should bring to your writers’ workshop tonight.”

So, I did.

And it was magical.

Our group was smaller than usual, consisting of just three of us (usually, we’re four or five). But the two other ladies present gave me so much insight about what worked in my story and what did not, feedback that I might have been less open to, had I not just received the rejection letter. I spent a good chunk of this morning working on revisions, and plan to wrap them up tomorrow in between baking my challah and roasting my chicken.

I’m still hoping that the next time I hear from an editor, they send an acceptance letter. (To say that I pray for acceptance letters is no exaggeration.) But this experience is definitely going to help me embrace the next rejection letter.

Because another will surely come.

Background on my new story: “Just Perfect” (or why I believe we all live in a Magical Reality)

This week, Hamodia‘s Inyan Magazine published my new short story (and it’s actually for adults!), entitled “Just Perfect.”

The original version of the story was explicitly a piece of fantasy, but as I mentioned in a previous post, I transformed the story into an example of magical realism rather than fantasy in order to address the concerns of my lovely and knowledgeable editor at Hamodia. 

In the original version, then called “Easy as Pie,” the transformation of Libby’s life occurred after she bumped into a little old lady who offered her a slice of peach pie at a party. The pie made Libby’s life–well, just peachy. But my editor felt the little old lady was a little unbelievable. Could I cut her? The only problem was that her brief appearance at the beginning and the end of the story explained the wacky events in between.

I wracked my brains for a way to ditch the old lady but save the rest of the silliness. There had to be an explanation for it, after all. I did a bit of experimentation and research. Finally, I decided that maybe Libby should just pray–and then G-d answers.

Even after I found my “magically real” solution, I initially balked at making the change. It was an elegant solution, so my reaction puzzled me. I had to think about it a lot, and I think my conclusion is worth sharing. Continue reading