How attached are you to your dreams?

Taking feedback and running with it

I’m still thinking about the story that I mentioned in a post earlier this week, the one that I ran by the beta-testers that I’d acquired through my newsletter.

On Monday, my sister phoned, and she wanted to know about the comments people had made about the story (she had been one of those to offer feedback). In particular, she wanted to know which comments were those which I’d mentioned had popped up multiple times.

I told her what the comment was, and then added: Continue reading

Results of an experiment: finding beta readers online from among fans vs in-person writing groups

A couple weeks back, I sent out a very short story I’d written a few days earlier to people who had signed up for my newsletter (you can sign up for that newsletter on my welcome page). I wanted some feedback, and I had more than a week until the next scheduled meeting of my writing group, so I decided to try something I’d heard other authors have done: generating beta readers from my mailing list and asking for feedback from them.

Here’s the results of my little experiment Continue reading

Writing conundrum: Leaving behind that outline without creating problems

So, I’m back to cranking out chapters of my serial this week, and this time, I hope to do it a little faster. The quicker I finish the serial, the easier it will be for me to focus on other projects, I think. Anyway, something is happening as I write that I think is worth mentioning, because I sincerely doubt that I’m the only writer to experience it.

In the beginning, there was an outline…

serial title imageIn order to secure my gig to write my current serial for Binah BeTween (“Glixman in a Fix”), I had to prepare an outline. Once that was approved (along with character profiles, the summary, and so on), I started writing. Generally, I write the serial episodes — I might have mentioned this before — in blocks of three, basing them on the outline. Because I’m working from an outline, with characters who are now well known to me, the writing goes relatively quickly. Then I revise the rough drafts once or twice and send them together in a batch to the editor.

Recalibrating

We’re now more than a third of the way in, and more and more often, I find that I’m diverging from the outline. Continue reading

Rehab for my Lame-O story

Last week, I resubmitted the Lame-O story that stressed me out a couple weeks ago. I found an ending that was logical, got some advice from my husband and my writing buddies about how to make the main character more sympathetic, and cut a lot of material that just seemed to distract from the main focus of the story.

I’m hoping the editor will now find it publishable, because I am simply sick of the story. Continue reading

The Rejection Letter that’s Good for You

Yesterday, I got a rejection letter.

Yes, it happens a lot.

I’ve argued in the past that rejection letters are good for you, and I’ve gotten better at taking them in stride, but this one went even further. Its timing couldn’t have been more perfect.

You see, last night was my monthly writers’ workshop. All morning, I’d been trying to decide on a piece to bring and share. When that rejection letter appeared in my inbox around noon, I decided it was a sign.

No, not that kind of sign.

Not just a sign, but a Sign — “This is the piece you should bring to your writers’ workshop tonight.”

So, I did.

And it was magical.

Our group was smaller than usual, consisting of just three of us (usually, we’re four or five). But the two other ladies present gave me so much insight about what worked in my story and what did not, feedback that I might have been less open to, had I not just received the rejection letter. I spent a good chunk of this morning working on revisions, and plan to wrap them up tomorrow in between baking my challah and roasting my chicken.

I’m still hoping that the next time I hear from an editor, they send an acceptance letter. (To say that I pray for acceptance letters is no exaggeration.) But this experience is definitely going to help me embrace the next rejection letter.

Because another will surely come.

Play-by-play: The Weird Things that Happen When You Write Under Time Pressure

clock

Tick-tock…Quick, that deadline’s approaching!

Foolish me.

So, as I mentioned last week, I committed to produce a story just three days after Passover was over. I did prewrite before the holiday, and even had started a first draft in longhand (I often do). It was this surprisingly dark piece, written in second-person. A concerned family member was talking to “you,” and “you” (it becomes clear) are suffering from a clinical depression.

When I picked these materials back up after Passover had wrapped up,  the first thing I thought was: ugh.

  1. The tone was too dark, especially for this particular venue (Ironically, the theme I was given was “Put some spring in your step!” Right.).
  2. The second-person thing effectively pulled you in–making the dark subject matter even more depressing.

I felt like hyperventilating. Was I back to square one? With only three days to go?

AHHH!

Continue reading