A couple weeks back, I sent out a very short story I’d written a few days earlier to people who had signed up for my newsletter (you can sign up for that newsletter on my welcome page). I wanted some feedback, and I had more than a week until the next scheduled meeting of my writing group, so I decided to try something I’d heard other authors have done: generating beta readers from my mailing list and asking for feedback from them.
Here’s the results of my little experiment Continue reading
Along with writing and editing, I’ve coached writers one-on-one off-and-on for the last couple years. I’ve presented writing workshops and made author visits to groups even longer than that, but those groups always consisted of school children. Yesterday, for the first time, I combined the two and taught a writing workshop for fledgling writers aged 15 and up. Actual grown-ups attended!
Since my greatest area of expertise is writing for tots, tweens, and teens, I decided to offer a three-hour crash course in writing for those groups. My husband agreed to whisk away the kids who weren’t in school (some Jewish day school kids attend on Sunday mornings), and I prepared materials and advertised.
I thought three hours would be enough, I really did. Continue reading
A possible student for my workshop?
Audience: Ladies ages 15 and up are welcome to participate.
Date:May 25th
Time:10 am – 1 pm
Location:Private home in L.A.
Cost:$25, $18 if you refer a friend and they also commit
To sign up: Please fill out the form below.
A couple of weeks ago, some of the comments on a post I wrote about defining Jewish writing revolved around the introduction to Sarah Shapiro’s All of Our Lives. I took a workshop with Sarah–who writes, edits, and teaches amazing writing workshops that have inspired many fledgling Jewish writers–and have a lot of respect for her opinions, so I borrowed the book from a friend (thanks Miriam!) in order to more accurately represent Sarah’s opinions here.
Sarah’s essay “The Writer’s I” reflects several of the issues I discussed in my original post. Jewish Writing can be defined by the author’s identity, by its subject matter, or can be considered a completely arbitrary label. She personally feels that “all three are right,” but admits the difficulty in establishing a single definition.
Sarah goes on to say that attempts to identify or define specifically Orthodox Jewish writing are even more complicated. Continue reading
Rebecca Klempner 