“Expect rejection.”
(Update: I wrote the original draft of this piece a couple months ago. Don’t worry–I got some writing/coaching gigs after the dry spell.)
I subscribe to the daily emails from Garrison Keillor’s Writer’s Almanac (which I highly recommend) and today’s email included a lovely quote from the award-winning author, Khaled Hosseini (here I have to admit that I couldn’t finish The Kite Runner–there’s this violent street-fight scene I just couldn’t deal with–but I love this quote just the same).
Apparently, he once said, “There is a romantic notion to writing a novel, especially when you are starting it. You are embarking on this incredibly exciting journey, and you’re going to write your first novel, you’re going to write a book. Until you’re about 50 pages into it, and that romance wears off, and then you’re left with a very stark reality of having to write the rest of this thing. […] A lot of 50-page unfinished novels are sitting in a lot of drawers across this country. Well, what it takes at that point is discipline … You have to be more stubborn than the manuscript, and you have to punch in and punch out every day, regardless of whether it’s going well, regardless of whether it’s going badly. […] It’s largely an act of perseverance […] The story really wants to defeat you, and you just have to be more mulish than the story.”
Having just submitted my own first novel (please keep praying a publisher buys it!), and having discussed writing novels with a lot of people, I have to agree with the first half of Dr. Hosseini’s statement here. A lot of people dream of writing a novel. Many people actually start writing novels, but most of those peter out right around the point Dr. Hosseini describes.
But here’s where Dr. Hosseini and I are going to disagree: while I think that discipline and perseverance are the keys to finishing a novel, I think that many people who begin to write books just don’t know how to! While there are people who like to “write by the seat of their pants” or “wing it,” completing a novel in a timely fashion without outlining or diagramming or writing notes or some sort of prewriting exercise, and without studying how to write a novel in advance (even just reading a single how-to book from the library can help) is a much more daunting exercise than doing it without putting in those steps up front. Many of these abandoned books could be finished if their authors took these steps. For more on this subject, check out this recent post by Susanne Larkin here.
I’ve just submitted my novel. Whoa. I’m a little freaked out. 
Fear competes with excitement. I’m not sure which is winning, but I have a suspicion that I should really be feeling relaxed. After all, my manuscript’s acceptance is now entirely in G-d’s hands. I did my part: I finally finished the sucker, got it edited by multiple people, revised it, got it proofread, and researched the most suitable publisher to start with (I hope they agree). There’s not much left for me to do, other than pray. And wait.
One of my sources of excitement is that now my writing schedule is wide open for other projects. I have lots of ideas, thank G-d. I kept getting sidetracked by competing writing projects in the last couple months. That is part of what took me so long to finally wrap up this book–that and the multiple viruses that have been afflicting various members of the Klempner household.
Recently, I’ve had a few friends who have approached me about sketchy sounding publishing deals they were being offered.
This is not a new problem. For example, for years, there have been people who advertise that they are compiling a book of poetry. They request submissions, but in order to be included, you have to pay. Then, you must pay additional money to receive each copy you might want to own or distribute to friends.
However, with the advent of self-publishing, the problem has escalated. It can be very hard to tell the difference between a self-publisher that’s genuine (like CreateSpace or Lulu or many if not all the major Jewish ones) and someone like Publish America who doesn’t charge you up front, but then demands extraordinarily high prices for any “needed” services (like editing) and then overcharges on shipping every copy you want and sets prices so high that buyers are turned off. Not only that, but the wrong publisher (even some traditional ones that are big names) can sneak things into the contract that limit your rights regarding overseas sales, translations, ebook or film rights, and so on.
Additionally, even many legit self-publishers will forget to tell you that the average self-published book will never sell more than 100 copies–so it is highly likely you’ll never recoup your investment unless you study book marketing and prepare to premote yourself like crazy.
If you want to be taken seriously as an author, there’s another concern: there’s less prestige associated with self-publishing than going the traditional route. (By the way, this is less true in the Jewish world, where it has always been common to self-publish, co-publish or to pay for publication through donations.) However, self-publishing isn’t the no-no it used to be so long as you are sufficiently informed about the process.
The lesson from all is this is do your research BEFORE submitting to a publisher or agent, and certainly before signing any paperwork. These two sites are must-sees for anyone contemplating a book or article submission:
Writer Beware
http://accrispin.blogspot.com/
Preditors and Editors
http://pred-ed.com/
On a couple of my LinkedIn groups, there have been some fascinating conversations lately about self-publishing. At this point in my life, I can’t imagine starting such a project–unless we’re discussing ebooks.

