What’s harder than writing 1000 words a day?

Well, the kids are all in school, so I no longer have any excuses. I’ve been sitting at my desk daily and attempting to crank out a thousand words. This seems to be a pretty common goal for writers, and I seem to make it most days. Okay, some days. The days I’m not editing the stuff I wrote previously.

I guess he didn’t make it to 1000 words today.

On Friday, I set myself a different goal. I had written a piece a while back that the members of my writing group liked. However, when trying to market the piece, the best match for the story was a magazine that has strict word counts for each of its departments. I could only submit to one department at a time, and the piece would only be accepted if it met the qualifications listed. At 1500-ish words, my story didn’t fit in either department that matched the subject matter.

I had a choice with this piece. I could either beef it up to 2000 words, or cut it to 800 words.

So, Friday morning, I sat down to cut 700+ words from my article.

The piece had been well-edited before, and there were few passive constructions or the like to tighten up. At various points, I despaired that I would ever succeed. However, the process was extremely educational, and I’ll share a few of its lessons with you.

1) Think about showing vs. telling. I was able to cut several places where I found I was both showing and telling. The showing was enough. Let the readers make a couple inferences. It’s good for them.

2) Consider, “What it the main purpose of the story?” In a novel, there are often subplots or backstory that add to the narrative. Even a short story will often contain these elements. But in the short, short story (yes, it’s an actual genre), and even more in flash fiction, you have room to keep only the story elements that push the main narrative along. Yes, my little subplot was funny. Yes, I’d grown attached to it. But did it support the main idea? Not so much. Thus, it landed on the chopping block. Off went a couple hundred words.

3) Occasionally, adding a line will help you cut a dozen–or even more.I added a new ending (partly suggested to me by my friend Devorah Talia) and was able to eliminate a huge final scene that took up another two hundred words, or so.

Snip, snip!

4) How many adjectives and adverbs do you really need? After reading an article a year or so ago, I’d eliminated many adverbs from my writing vocabulary, switching to stronger, more precise verb usage. I had hardly any adverbs modifying verbs in the article. However, I seem to cling to the use of adverbs that modify adjectives. In this piece, the biggest offenders were the words “really,” “very,” “so” and the like. Also, the improved choice of nouns and verbs removed the necessity of using many adjectives.

5) Read aloud several times. I had read this piece to myself dozens of times already. Reading out loud was a very different experience. I was able to discern unnecessary material more readily, and often could think of natural substitutions for certain wordy idioms I’d used. Breaks in between allowed me to see the words with new eyes each time.

I submitted the piece this morning after cutting one more word. Let’s hope the exercise helps me sell the piece! Even if it doesn’t sell, the editing practice will have served me well.

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2 thoughts on “What’s harder than writing 1000 words a day?

  1. I think one thing I need to remember when editing (especially to your point about scrapping an entire subplot) is that whatever gets cut from this incarnation of a story isn’t forever gone. It still exists… it might one day be used elsewhere, perhaps in an even better way. I have to remind myself that my greatest loyalty is to the main story or purpose of what I’m writing: not to myself, not to some whimsical metaphor that entertains (but also distracts). That can be hard to do. The next time I find myself reluctant to chop, I’ll return to this blogpost for a reminder of exactly what I should be doing.

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  2. I totally agree about saving all those orphaned essays, Cy. I’m thinking that a lot of that “personal essay” material could be integrated into future stories for adult audiences, just like I incorporate a lot of the wacky things my kids do into my short stories/picture book ideas for kids. The things that happen to me happen to other women/wives/moms as well…so why not integrate them into the lives fictional women/wives/moms?

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