I hit a double!

Let’s see if we can bat Mrs. Klempner into home plate!

For the first time, I’ve had two stories published in one week. For some writers, this is nothing, but for me, it’s a real accomplishment. The first story appears in the October 22nd Binah BeTween; the second, in the October 24th Binyan. I just turned in another piece to Binyan yesterday. G-d willing, you’ll find it in print in about a month.

Establishing myself as a career writer as opposed to a hobbyist is a big struggle, and sometimes I feel like I’m floundering around a bit. It’s been comforting the last couple weeks to touch base with other writers, some of whom ARE making a bit of money. So I’m chugging along, praying for success. Not big name, big money success, just enough to cover a medium-sized chunk of day school bills. Is that so much to ask?

I’ve been spending a lot of time this week on career-building activities, trying to solicit writing gigs, adding onto my Goodreads page, hunting for an agent for the novel that I’m STILL revising, that kind of thing. I’m planning a writing workshop that I’m hoping to test out in December. Yesterday, I had the pleasure of sharing a new story, a suspenseful sci-fi short story for adults, with my writing group. With a little Heavenly assistance, I’ll be able to sell that one, as well.

I’ve also been revisiting the whole issue of self-publishing, or possibly, starting a small press through one of the POD publishers, which some people have found to be a successful model. A little creative thinking might make the difference in me being able to do what I love vs. drop writing and having to find a decently paying job.

Ooops. I’m hyperventilating again. Too many visions of desk jobs dancing through my head.

A Friendly Newsletter for Special Kids

A couple of months ago, I discovered an ad in HaModia for a newsletter called “Chevras Chaverim.” It’s a little magazine for Jewish kids with special needs. We’ve received the first two issues, one before Rosh HaShanah, one before Sukkot. Each newsletter contains several “departments,” tailored to the needs of kids with social skills problems, sensory processing disorder, and the like. The organizer loves feedback, and wants kids to submit things for publication. The subscription is free for now and you get it by emailing “Chevras Chaverim” at Chevraschaverim@gmail.com.

A great opportunity for anyone who has always wanted to write a novel, but been afraid to try.

Barbara Krasner's avatarThe Whole Megillah

Attention Jewish children’s novel writers!

In honor of Jewish Book Month, The Whole Megillah is hosting its second annual Write Your Own Megillah event. Think of it as the Jewish equivalent of National Novel Writing Month (NaNoWriMo). From November 7 through December 7, 2012, you’ll have the opportunity to write the novel you’ve always wanted to write.

What: Complete 36,000 words of a YA novel. Or, if your interests and talents lean more toward middle grade, complete 18,000 words. All words must be new — they can’t come from a previously published work or something you crafted before November 7.

Why: The only way to write a novel is to get your tuchas in chair. Be accountable to write a certain amount of words per day. Don’t fret over commas or spelling. Just write. Compile. Create. Leave the editing for December or later.

How: If you are interested in participating…

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More good news of the publishing sort

My teen fiction story “Nuture Nature” appears in this week’s Binyan (inside the weekly Hamodia). The magazine is available at Jewish bookstores, newstands, and kosher shops nationwide! It’s the first time I’ve appeared in that publication, although I’ve been a subscriber for years (like more than a decade). You’ll find the story on p. 14. 

Moving day!

I just moved to this new WordPress URL after several years at Blogger. Instead of packing a suitcase, I imported my posts from my old Blogger site. Why the move? I felt I needed a fresher look and some features that Blogger just doesn’t have. Most importantly, I now can post PDFs of pieces I’ve published in the past in order for you folks to see a little of what I do. Just take a peek at “Want to read a story?” in the menu above.

A trip into the Uncanny Valley

My kids love Tintin comics by Herge, so I was unable to suppress my desire to watch the trailer of the new Tintin film (despite the fact I haven’t gone to the movies in nearly eight years). If you’re interested it’s here:

http://insidemovies.ew.com/2011/05/17/tintin-adventures-trailer-spielberg/

What surprised me is that the animation in Tintin seemed to me to fall into what is called the Uncanny Valley.
The Uncanny Valley refers to the widespread belief that when computer graphics, robots, or other representations of people look and act almost, but not quite, like the real thing, people are creeped out. Apparently some genuine research has been done in this area, and many experts in CGI and robotics try hard to avoid stumbling into the Uncanny Valley in order to avoid turning off potential viewers. 
 
As technology advances, this becomes more and more difficult. Just when does the image flip from being disgusting and become convincing? And how are we supposed to respond to such simulacra? 

[Indeed, this is a favorite theme in science fiction. For example, both the classic book I, Robot by Asimov and the Ridley Scott movie Blade Runner (based on Phillip K. Dick’s Do Androids Dream of Electric Sheep) directly address this conundrum. In one fictional world, androids are prohibited from having a convincing human appearance altogether; in the other, such robots exist, but are forbidden from living on Earth.]

Now let’s get back to the new Tintin adaptation. I watched the trailer (and I should repeat that I actually don’t watch movies in theaters and rarely at home unless Jewish), and I immediately responded—Ugh! 

I’m not sure why the producers opted for an image capture CGI as opposed to live action (there actually are already animated adaptations of the Tintin comics, so I’m not so shocked that they opted out of another animated version), but I had a visceral reaction against what I saw. I’m wondering if other viewers will have similar reactions. With more and more exposure to video game graphics and the like, maybe the Uncanny Valley will lose it’s effect on people who see a lot of CGI.