Am I brilliant or not so much? A writer’s self-confidence bounces on a po-go stick.

Yesterday, I was reading the daily post of a great blogger, Bottleworder. His topic? The benefits of being dumb. It’s worth reading.

Today, I’m not going to write about the benefits of being dumb, but something that afflicts many writers: feeling dumb.

“Have you read this yet, Eugenia? It’s brilliant, I tell you! That Rebecca Klempner’s going to win a prize one of these days!”

When I read something I’ve written in the past, I usually have one of two reactions:

1) That was brilliant! I wrote THAT? Was I channeling or something? Wow.

2) I can’t believe I wrote that. Why, oh why didn’t I (insert suggested improvement here) before I submitted? It could have been so much better. People are reading this drech?  And my name’s attached to it? Can I hide now?

I think that writers like me have the self-confidence of a pogo stick. Up-down-up-down. If this were just a matter of my self-esteem, I’d keep this discussion to myself, but it actually affects my decision-making skills relative to my writing.

When do I submit? Is it good enough? Will it be accepted as it is, or will some editor laugh at my sub and then tell his buddy in the next cubicle about how terrible it was.

Is what I wrote actually funny, or did the members of my writing group (and my darling husband) only laugh because of the intonation of my voice while I was reading? Or because they were feeling punchy after too little sleep?

You catch my drift. Continue reading

Did I write that book?

I just had yet another one of those heart-stopping moments where I saw a book title, then read the review of the book and thought:

OMG! I WROTE THAT BOOK!

I’m pretty disgusted with my reaction. I’m sure my idea isn’t so original that no one else could’ve had that same one. Yes, I had my idea before that book was published—but what if that author thought of it first? Or maybe she didn’t think of it first, but she executed it better?

-sniff-

I’m chalking this up as another exercise in, “I’m only responsible for my effort, not my success.” If I was meant to sell that manuscript (I did shop it around a bit), then I would have sold it.

The end. Now it’s time to suck it up.

How can you offer someone advice without taking it yourself?

I was corresponding with a client last night who is–among other things–considering publishing an ebook to distribute among clients and potential clients. I was telling her I thought it was a great idea, how it can be done with relatively little expense, yadda yadda yadda.

And then I thought to myself, “Hey! Why don’t you take your own advice?”

Not only might it generate business, but it’ll give me experience using the tools available on CreateSpace (or Lulu, or whichever service I go with) that will prove useful if I help last night’s client (and hopefully future ones) with their projects. I spent an hour and a half last night clipping bits from emails and blog posts to consolidate into a short ebook. It’ll take a few more hours just to complete the writing and editing of the material, and I’m sure it’ll take a while to design the ebook. But I’m excited about this little side project.

So the next time you offer someone some brilliant advice…prepare to take it yourself!

How to teach people while you entertain them: Modern-day Moshels

To those unfamiliar with the term, a “moshel” is the Hebrew term for a parable, a story told with the intent to illustrate a lesson (usually a moral or theological one). I equate moshels with the soda your mom would offer you as a chaser after taking whatever foul-tasting medicine the doctor had prescribed you. It makes it easier to get the lesson down, and you might even look forward to the next dose.

Moshels–particularly those of the Baal Shem Tov, Rebbe Nachman of Breslov, and the Ben Ish Chai–are familiar to most readers with a Jewish education. They often appear in Rabbis’ drashos, and they sometimes make their way into children’s books. Several authors have recently attempted to update classic moshels and make them more appealing to tweens and teens–most successfully, perhaps, Steve Sheinkin in his entertaining Rabbi Harvey series, which take place in the Old West. One of the most challenging aspects of this genre is that you want to convey the lesson accurately without sounding pedantic, boring, or preachy. Also, some of the settings and situations detailed in traditional moshels don’t appeal to contemporary readers, or (more often) are so unfamiliar as to complicate comprehension of them.

I have my own spin on the Modern-day Moshel that I’ve been trying to market, which I’m not sharing here (because, like many authors, I’m terrified of people copying my idea before I can sell it myself–see this post). However, I thought I’d provide a heads-up to my readers what I’m thinking about right now.

I hit a double!

Let’s see if we can bat Mrs. Klempner into home plate!

For the first time, I’ve had two stories published in one week. For some writers, this is nothing, but for me, it’s a real accomplishment. The first story appears in the October 22nd Binah BeTween; the second, in the October 24th Binyan. I just turned in another piece to Binyan yesterday. G-d willing, you’ll find it in print in about a month.

Establishing myself as a career writer as opposed to a hobbyist is a big struggle, and sometimes I feel like I’m floundering around a bit. It’s been comforting the last couple weeks to touch base with other writers, some of whom ARE making a bit of money. So I’m chugging along, praying for success. Not big name, big money success, just enough to cover a medium-sized chunk of day school bills. Is that so much to ask?

I’ve been spending a lot of time this week on career-building activities, trying to solicit writing gigs, adding onto my Goodreads page, hunting for an agent for the novel that I’m STILL revising, that kind of thing. I’m planning a writing workshop that I’m hoping to test out in December. Yesterday, I had the pleasure of sharing a new story, a suspenseful sci-fi short story for adults, with my writing group. With a little Heavenly assistance, I’ll be able to sell that one, as well.

I’ve also been revisiting the whole issue of self-publishing, or possibly, starting a small press through one of the POD publishers, which some people have found to be a successful model. A little creative thinking might make the difference in me being able to do what I love vs. drop writing and having to find a decently paying job.

Ooops. I’m hyperventilating again. Too many visions of desk jobs dancing through my head.