Some clear ideas from the author of Cloud Atlas, David Mitchell

Wednesday’s L.A. Times online contains an intriguing interview with David Mitchell, the author of the novel Cloud Atlas, which has recently received renewed attention due to its film adaptation. Mr. Mitchell’s comments are worth reading, as they illuminate some of the points I’ve been blogging about recently.
On the topic of inspiration (see my original post here), Mitchell says:

I think Mr. Mitchell just blew some of those clouds away. It looks like smooth sailing ahead!

When I go to a place I get a number of free gifts. I get some good lines about the environment. If I was here for long enough, and could have a little time to walk around more thoughtfully, I’ll get five decent sentences. Or halfway decent sentences, or sentences I can make worthwhile. About the place; they’re textual photographs. I’m just in the habit of taking them. Maybe because it was a long time before I had a camera.

Do you jot them down?

Yeah. It gives you something to do in restaurants and not look like a sad sack. And also makes the staff nervous that you’re a reviewer, so they’re nice. You should try it, it works! If you get these free gifts, use them in the text, use them in the prose, use them in descriptions. Put them in and they’re lovely little things to find on the forest footpath of the story, of the book. 

What’s interesting about the process that David Mitchell so clearly describes is that its both what I’ve previously called “the flash” of inspiration AND “foraging” for it. Continue reading

Can you trust the reviews you read?

I mentioned briefly in last week’s post that authors have been hiring other writers to review their books and sometimes even to bash the competition. (This happens for reviews of all types, in fact, from hotels to toaster ovens.) Media coverage of this issue has been growing lately–see this revealing expose of the practice and this equally eye-opening explanation of how to detect faux reviews for details.

Since Judaism has an idea of geneivat hadaat–misleading knowledge as a form of theft–you’d think that the Jewish book world is immune to it. However, Jewish publishers and authors do buy reviews. Often, the review appears on an “advertorial page.” Perhaps this isn’t deceptive after all–it’s marketing, not true reporting–and so permissible under law, Jewish or otherwise, but the casual reader usually doesn’t know the difference.

Why is everyone making a whoop-dee-doo about this? Because people look at reviews for guidance about how to spend their money. Consumers expect reviews to be sufficiently objective to weigh the pros and cons of the product in question. Can you count on a review being objective if the author received money for it?

On the other hand, if an author sends you a copy of their baby (ahem, I mean “book”), then it’s clearly hurtful to turn around and bash the book publicly. If they are making the effort to market themselves, they want to protect themselves (hence payment offered for positive reviews). I can understand that authors are afraid to gamble on whether the people they ask to read their book will heap praise on it or tear it to shreds. However, we still get knocked back to my point above–consumers expect reviews to be trustworthy.

I’ve been approached recently by several different people to write reviews of their books, partly because I’m an author, partly because I’m a blogger, and partly because I (briefly) used to be paid by a magazine (not an author, not a publisher) to review books. Some have offered money, some have not. I’ve reviewed a few of these books, but I made some rules for myself so that people can trust my evaluations.

Rule #1 – I will accept money from a magazine or newspaper that prints a review, but not from the author or the publisher of the book.

Rule #2 – If you provide me with a free copy of your book, either in print or digitally, I will read your book. That’s all I can promise.

Rule #3 – If I like it, I’ll review it positively. If I don’t, I will not backstab you and write a bad review. However, I won’t write a good review about the book either–I just won’t review it at all. (So far, I’ve only refused to review one book sent to me this way.)

Rule #4 – If I have more than a passing acquaintance with the author, I’ll state it in the review.

I hope that others will adopt these rules, or similar ones, so that people can trust reviews again. After all, I’m a consumer, too.

More crazy ideas from yours truly

I’m sorta infamous among my friends for having lots of whacked-out, creative-but-slightly-off-kilter, usually (but not always) impractical ideas. Here’s my latest:

Rabbi Aryeh Leib Nivin–a motivational speaker/life coach/teacher/rabbi–speaks of everyone having a yeod, a unique life mission with which they are supposed to serve G-d (and people), and a tikkun, a soul correction they have to make in order to maximize their potential (by fulfilling their yeod). Also, a person has short-term lessons that must be learned as stepping stones to reach their yeod and tikkun. This self-development paradigm is very useful for those of us who want to build ourselves (especially now that we’re in Elul, the introspective month that leads up to Rosh HaShanah and Yom Kippur).

“That wacky Mrs. Klempner has some weird idea again!”

As I mentioned in a post last week, I’m going to be rewriting (yes, again!) the novel I wrote last year. One of the areas I want to focus on is character, really fleshing each one out better and more coherently. Many expert authors suggest strategies about developing character such as:

1) Learn about Myers-Briggs personality types and assign one to each of your characters.

2) Consider what each character most wants, most fears, their biggest secret, and what they have to learn.

3) Use drawing, cut-and-paste, or the like to assign an appearance for your character. Brainstorm their likes, dislikes, etc. Paste such items on your character chart.

4) Pretend to interview your character for a magazine.

All these strategies make sense, but they didn’t appeal so much to me. Then I thought, “Hey! Why don’t I apply Rav Nivin’s rules to fictional characters?” Assign a tafkid, a yeod, to each one, and a tikkun, as well?

So that’s what I think I’m going to be doing. Maybe not exclusively, but I think it will bring a Jewish approach to my mostly Jewish characters and subject matter.

Has anyone else out there tried “unorthodox” (pun definitely intended) ways of developing characters or doing other work that usually isn’t done in a “spiritual” or “religious” way?