Returning from a Series of Misadventures

I decided to post today and realized that I hadn’t posted in months! I’m still researching the book I reported researching in my last post, but in between then and now:

  • I attended a great conference hosted by the Association of Jewish Libraries. While there I got super exciting, top-secret news and then was told not to share it. (G-d-willing, I’ll be able to in a few months.)
  • I figured out I couldn’t do the necessary research on that YA novel because my kids were home for the summer. I decided to shove the rest of the research off till fall.
  • I got a wacky new idea for a Middle Grade novel and started writing it.
  • I broke my arm. (Yes, my dominant arm.)

    man carrying backpack

    Fun fact: When you break the radial head, you don’t actually get a cast. But it still hurts like heck. (Photo by rawpixel.com on Pexels.com)

  • I finished writing that MG novel, largely through voice-to-text and typing help from my husband and eldest son.
  • I sent that MG book out to beta testers. (Thank G-d, they liked it, and I got a slew of useful suggestions to improve the book.)
  • I got a rejection letter from the one agent who had the full manuscript of my adult-audience novel.
  • The kids went back to school.
  • I attended a great writing conference in Fallbrook at the library there.
  • And now, because I got so many useful tips about my adult novel submission and my MG novel submission, I’m shoving off my YA novel research just a bit more. Hopefully, I’ll get to it in October, because my plan for the moment is to write that book during NaNoWriMo.

What did you get not get done this summer? What happened instead? What are your fall plans? I’d love to hear the answers to these questions!

2015 in hindsight

I usually review my professional year just before Rosh Hashanah, but when Erika Dreifus posted last week about Annette Gendler‘s “Artist and Writer’s Workbook,” she piqued my interest. I moseyed over to Annette’s site to acquire my copy (free download with sign-up to Annette’s newsletter). Today, I finally sat down to complete it.

On the financial front, it was a bit sobering. Continue reading

More about McKee’s STORY: How two of my stories measured up

I’m still reading STORY and have so much to say on its utility that you’ll just have to bear with me for a few more posts on it.

THE GAP

victoria station tube mind the gap

Writer! Mind the gap!

McKee has a theory that the material a story is made of is not words, not paper and pen (or computer) but something he calls the GAP. The Gap develops when a main character acts and discovers that his/her expectations regarding the response s/he’s going to get conflict with the reaction s/he really gets. This discrepancy forces the character to adjust and change.

Continue reading

More crazy ideas from yours truly

I’m sorta infamous among my friends for having lots of whacked-out, creative-but-slightly-off-kilter, usually (but not always) impractical ideas. Here’s my latest:

Rabbi Aryeh Leib Nivin–a motivational speaker/life coach/teacher/rabbi–speaks of everyone having a yeod, a unique life mission with which they are supposed to serve G-d (and people), and a tikkun, a soul correction they have to make in order to maximize their potential (by fulfilling their yeod). Also, a person has short-term lessons that must be learned as stepping stones to reach their yeod and tikkun. This self-development paradigm is very useful for those of us who want to build ourselves (especially now that we’re in Elul, the introspective month that leads up to Rosh HaShanah and Yom Kippur).

“That wacky Mrs. Klempner has some weird idea again!”

As I mentioned in a post last week, I’m going to be rewriting (yes, again!) the novel I wrote last year. One of the areas I want to focus on is character, really fleshing each one out better and more coherently. Many expert authors suggest strategies about developing character such as:

1) Learn about Myers-Briggs personality types and assign one to each of your characters.

2) Consider what each character most wants, most fears, their biggest secret, and what they have to learn.

3) Use drawing, cut-and-paste, or the like to assign an appearance for your character. Brainstorm their likes, dislikes, etc. Paste such items on your character chart.

4) Pretend to interview your character for a magazine.

All these strategies make sense, but they didn’t appeal so much to me. Then I thought, “Hey! Why don’t I apply Rav Nivin’s rules to fictional characters?” Assign a tafkid, a yeod, to each one, and a tikkun, as well?

So that’s what I think I’m going to be doing. Maybe not exclusively, but I think it will bring a Jewish approach to my mostly Jewish characters and subject matter.

Has anyone else out there tried “unorthodox” (pun definitely intended) ways of developing characters or doing other work that usually isn’t done in a “spiritual” or “religious” way?