My first foray into playwriting: lessons learned about writing and directing plays for kids

As I mentioned last week in passing, I spent a good chunk of time between Rosh Hashanah and Yom Kippur preparing a play for the kids at my synagogue. The topic: the story of Jonah, which is read during the afternoon of Yom Kippur.

Jonah sheltered by the vine

Yonah waiting to see if Nineveh gets destroyed. He’s kinda hoping it does. How’s that for schadenfreude?

Now, I’ve always thought this story was packed with humor. I mean, G-d singles Jonah out for a little tete-a-tete and he hops on a boat headed in the opposite direction as the mission G-d sent him on? Then he sleeps through the ginormous storm that has everyone else aboard freaking out and get swallowed by a giant fish. Come on!

And when Jonah finally makes it to Nineveh, it gets even wackier. Continue reading

Different strokes for different folks: How one book can inspire so many others

A while back, someone my husband respects very much encouraged him to read this book:

Stop Surviving Start Living Shafier

Rabbi Shafier’s book, based largely on Mesillas Yesharim

The first time I read Rabbi Shafier’s book, Stop Surviving, Start Living, I just didn’t get it. Not the content of the book — the content was clear as day, written lucidly by Rabbi Shafier, with nice anecdotes and everything. What I didn’t get was that it was based on a book my husband had already read. This one: Mesillas Yesharim, known in English as The Path of the Just, one of the most foundational texts in the Mussar world.

Mesillas Yesharim by the RAMCHAL

The original. So inspirational…and a bit scary for the uninitiated.

Why, I asked my husband, write a book based on another one, a book that you actually want people to read (because you’re such a fan yourself)? Continue reading

What will your children be reading this summer?

I just read an interesting opinion piece in the New York Times by Claire Needell Hollander, a middle school teacher. Her article explains that while young, inexperienced readers should go ahead and read whatever they want during the summer, so long as they read, maturing readers of 10 years old and up will benefit more from selective reading. Ms. Hollander’s preferred books build “verbal knowledge (an increase in word recognition) and world knowledge (an increase in understanding about the world around them).”

Ms. Hollander believes that middle- and high-schoolers should not self-select their summer reading. She believes that some students do well with the traditional recommended reading list (heavy on literary novels recognized as “classics”), but she prefers to narrow the students’ selection by genre to ensure they are getting the literary diet that will enhance their academic health. Her top picks? High-quality but developmentally appropriate non-fiction. Most revolve on serious moral issues–child soldiers, the bombing of Hiroshima, and the like.

I believe Ms. Hollander when she says that studies have shown that students who read “high quality” material over the summer do better than those who completely self-select. My problem is that this is too short-sighted a goal. We don’t just want successful students who pass tests, we want to make life-long learners who will turn to books for information as well as pleasure through adulthood. 

So, yeah, a kid who (her comparison) reads The Hunger Games might in the short term learn less words and information that the kid who reads The Red Badge of Courage. But if the kid who reads The Hunger Games enjoys it and develops a real pleasure in reading, they might read more as a 30 or 40 year old than the kid who read The Red Badge of Courage and gritted his teeth through the whole thing (not because it’s a bad book, but because it was not to his taste). There was a wonderful post on the Nerdy Book Club recently by Sasha Reinhardt about how her low-brow love of The Babysitters’ Club series helped develop her lifelong devotion to books.  

And while studies have supported (as mentioned in previous blog posts) that non-fiction appeals to many children who normally don’t identify themselves as book-lovers, the serious tone of the books Ms Hollander lists will turn-off many children. The graphic novels Kampung Boy and American-Born Chinese may not appeal to her, but they certainly introduce serious subjects, geographic detail, and lots of new vocabulary in a format that might appeal to reluctant readers more than Francesco D’Adamo and Ann Leonori’s Iqbal  or John Hersey’s Hiroshima.