School is on and I’m back to work!

The kids are back in school, and I am back to work. For four days, at least.

school, classroom

When the kids go to school, Mommy gets to write!

Because of the unfortunate discrepancy between the Jewish calendar and that of the traditional American school, my children will not experience a full week of school this fall until October. That means that even though their summer vacation is over, my days of child-wrangling are not.

It’s really important to me to take advantage of time alone during the day. I cherish the time I get to spend with my kids over summers and holidays, but when they are home, I can only write at night. Unfortunately, I am decidedly a morning person. The quality and quantity of what I write is strongly affected by my kids’ days off.

So today I tried to be as productive as possible. I got to pray at length, spent a couple hours on a story, took care of some housework, and made sure to listen to some music.  As a treat, G-d sent a playdate for my preschooler to extend the quiet a little longer.

One of the areas I’ve decided to work on this new year is time-wasting, so I tried very hard not to lose too much time to unnecessary internet surfing or checking my email repeatedly. I fought off the time wasting habit better than I expected today.

Who knows what tomorrow will bring? And Friday, for sure, will be spent minding my kids and preparing for the Yom Kippur fast. Sukkot will start just a few days later. But at least this evening, I’m wrapping up a workday feeling I did my best, B”H.

Even turtles have to poke their heads out sometimes

What makes Jewish literature Jewish?

In theory, I’m on vacation, make that staycation, with my kids and not posting. However, in the last week, two authors I respect both posted on a topic I’ve contemplated before: what is Jewish literature? Their ideas were both useful and inspirational. It’s worth reading the posts. You can read Libi Astaire’s post here and Erika Dreifus’s here.

On a related note, after a short hiatus, Tablet has started posting fiction again. I’m wondering if the complaints about whether their previous stories were examples of Jewish literature had an effect — both the recent pieces have been translations of Israeli authors.

Do your feelings about an author affect your feelings about his or her work?

Today’s post from Erika Dreifus deserves a look-see. She comments on a recent NY Times essay by Margot Rabb entitled “Fallen Idols,” then adds her own reflections, touching on various writers with Anti-Zionist or antisemitic beliefs, such as T.S. Eliot and Alice Walker (the latter of whom has recently made headlines). I invite you to read both pieces (the links are embedded above).

An interesting aspect of the writer-reader relationship that Rabb touches on is that readers get to step inside the brains of authors. For this reason, there are some Chareidim who only allow their children to read books written by people who are either Orthodox Jews themselves, or are otherwise respected and considered to have good character. While I don’t have this “policy” myself, I do understand that it’s reflecting a genuine concern. Authors don’t have to have a conscious agenda to slip all sorts of allusions to their beliefs in their work. For example, English authors are particularly well known for their antisemitism, which pops up in all sorts of weird places (Georgette Heyer’s The Great Sophy, several works by Dickens, and so on). The science-fiction/fantasy author Phillip Pullman is a proud atheist, and his work reflects this viewpoint.

Then again, if an author uses their money to donate to causes we don’t agree with, a political cause that does not have anything to do with their writing, is that a reason shun their work? Or, to take it a step further, protest their work?

One of the commentators on Erika Dreifus’s blog mentions Orson Scott Card. There are people who want to picket the movie adaptation of his book, Ender’s Game, because they disagree with his political and religious beliefs. (I happen to not agree with the commentator’s assessment of Card, but he’s a good example.) Ender’s Game does not mention the particular beliefs that the protesters find repulsive in Card’s public statements.

Personally, I can see forgoing a trip to the theater, or skipping a book, if you disagree with an author or artist. But a public protest seems excessive to me unless the novel/play/whatever is actively preaching the message you disagree with in that particular piece of work.

How likely are you to read a book by someone whose character is deeply flawed or who espouses beliefs you find repugnant?

Having a funny day?

laughing hyena

Even hyenas know when not to laugh.

A couple days ago, I read this post on the Florida Writers Conference Blog (I know I’m not from Florida, but I happen to really like this blog) about humor. And there’s a fun overview of contemporary religious Jews in comedy right now on Aish.com. So I was already contemplating the subject when I spotted an interview with Ruth Wisse on Tablet about her new book, No Joke.

Ten minutes in, Wisse talks about secular Jewish vs religious humor. If you’re a Jewish writer, it’s worth listening just for that bit.

The conversation as a whole gives a really interesting spin on Jewish comedy, but the most fascinating part is the end of the interview Continue reading

Helpful tools to plot your story

man and woman in library

“Excuse me, sir. Do you happen to remember that story where that guy dies and one of his sons thinks the other did the crime, but it turns out to be the mother instead?”

I was reading a post by Noelle Sterne on Writer’s Digest today where she describes “How to Prevent Predictable Plots.” She cites Georges Polti, who listed 36 classic plots which are constantly used and reused in literature and drama. (Sterne suggests that it’s inevitable you’ll use one of these basic plots, but that you can set yourself apart and introduce unpredictability through the details.)

Intrigued, I went to a description of these “dramatic situations.” Continue reading