After reading my earlier posts on STORY, you might think I’m 100% sold on the book. I have to admit that I’m a fan, but I do have some quibbles, largely on the adoption of screenwriting techniques for short story or novel writing.
Differences between writing for readers and for viewers that limit the utility of STORY:
1) (The only one I noticed pointed out by McKee) You may get inside the characters heads and explore their thoughts in literature. This creates a greater intimacy between the narrator and the reader. It also means the conflict can be much more subtle and much more interior.
2) Some readers like descriptive, sensory details that can’t be experienced with film — smell and touch can be better evoked, for example (unless you’re viewing in smell-o-rama).
3) The audience must work harder when reading print–in a good way.
4) When contrasted with other useful literary guides, you see some shortfalls. Continue reading
Rebecca Klempner 