strategies

Sol Stein sold me on “The Actor’s Studio Method for Developing Drama in Plots”

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Some of my regular readers might notice that my usual response to frustration in the midst of a writing project is to start borrowing writing books from the library and systematically going through them (in addition to eating chocolate, cleaning, and spending too much time on Facebook as an avoidance strategy).

stein on writing

A new favorite writing book, chock full of original, well-informed, and practical advice.

I’m two volumes into my current stack of five. The last couple of days, I’ve been reading Stein on Writing, written by novelist, playwright, and editor extraordinaire, Sol Stein. It’s not a new book, but it’s a classic, and I picked it up due to the acclaim.

I’m not done yet, but I’m just loving this book. It’s much more practical than most of the writing books I’ve read, which tend toward the touchy-feely, and after 50 pages of familiar (but articulate) ground (which I probably could use a review of anyway), Stein starts describing all sorts of new strategies for writers to employ.

My favorite one, thus far, is “The Actors Studio Method for Developing Drama in Plots.” Continue reading →

Megillat Esther through the eyes of a 21st century writer, or It’s okay if G-d saves the day if there’s forshadowing

beccakinla advice, how to write, Jewish, Jewish writing, Judaism, literature, Orthodox, purim, writer, writing, writing process Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 4 Comments

This year, in preparation for Purim, I’ve been rereading the megillah at a class given by my LOR (local Orthodox rabbi). Of course, it’s not the first time I’ve read The Book of Esther, as it’s called in English. We do that every year on Purim–twice! And it’s also not the first time I’ve learned it with this particular rabbi. But it is the first time I’ve read it with commentary, guided by my rabbi, since I officially became an author (whatever that means). And boy, is there a difference.

The Big Literary No-No All Over the Megillah

book of esther theater poland

A Purim Spiel in Poland. Photo shared in the Wikipedia Commons by Henryk Kotowski.

When you’re writing fiction, there is a big no-no that you’re told never to do: rely on deus ex machina. In short: don’t get your characters out of a tight corner by dropping a deity down from the sky to perform an instantaneous rescue. The audience will roll their eyes, at best.

The term originated with actors playing deities in the theaters of Greece. But for a religious writer of a different persuasion in the 21st century, it causes problems. Continue reading →

How writing a novel differs from writing a screenplay: my last post on STORY

beccakinla advice, stories, style, Uncategorized, writer, writing, writing process Tags: , , , , , , , , , , , , , , , , , , , , Leave a comment

After reading my earlier posts on STORY, you might think I’m 100% sold on the book. I have to admit that I’m a fan, but I do have some quibbles, largely on the adoption of screenwriting techniques for short story or novel writing.

Differences between writing for readers and for viewers that limit the utility of STORY:

1) (The only one I noticed pointed out by McKee) You may get inside the characters heads and explore their thoughts in literature. This creates a greater intimacy between the narrator and the reader. It also means the conflict can be much more subtle and much more interior.

2) Some readers like descriptive, sensory details that can’t be experienced with film — smell and touch can be better evoked, for example (unless you’re viewing in smell-o-rama).

3) The audience must work harder when reading print–in a good way.

4) When contrasted with other useful literary guides, you see some shortfalls. Continue reading →

“How do you do it?” How to write while you’re a stay at home mother

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People often ask me this question: How do you find time to write? Other moms work outside the home, sometimes full-time, yet my extremely-part-time and mostly at home writing puzzles them. Life as a FT mom is so wild and wacky, my head buzzes with ideas that could make great kids’ books. Doesn’t yours? This is how to get the ideas out and coherently on paper:

First of all, I have a giant notebook. Inside, I write lots of lists. Some titles you’ll find in my notebook: funny things kids do; annoying things kids do; what kids fight about; excuses they give; sweet things kids do. Don’t just email your girlfriend or tell Mom or Hubby about the craziness you endured during the day–write it down, even just in shorthand.
Also, after a workshop by Sarah Shapiro, I’ve learned to listen and practice writing dialogue. She says to do it daily, but I’m not that good about it. Just copy down a short conversation every week or so, and you’ll get practice.
Read LOTS…then respond in a book club, blog, or by writing a review online. If the book gave you an idea, extend it as far as you can.
No T.V. means more time and more productive time is available in this house.
After you write, revise. Test out on friends by sending your story to them or by joining a writing group. Then revise more according to what they suggest, then re-read to them. Is it improved?
Figure out who publishes similar pieces to yours, get the submission guidelines, then send the manuscript in! You’ll never know if you might have succeeded if you never try.
And remember, rejection letters are good for your middos.