Sol Stein sold me on “The Actor’s Studio Method for Developing Drama in Plots”

Some of my regular readers might notice that my usual response to frustration in the midst of a writing project is to start borrowing writing books from the library and systematically going through them (in addition to eating chocolate, cleaning, and spending too much time on Facebook as an avoidance strategy).

stein on writing

A new favorite writing book, chock full of original, well-informed, and practical advice.

I’m two volumes into my current stack of five. The last couple of days, I’ve been reading Stein on Writing, written by novelist, playwright, and editor extraordinaire, Sol Stein. It’s not a new book, but it’s a classic, and I picked it up due to the acclaim.

I’m not done yet, but I’m just loving this book. It’s much more practical than most of the writing books I’ve read, which tend toward the touchy-feely, and after 50 pages of familiar (but articulate) ground (which I probably could use a review of anyway), Stein starts describing all sorts of new strategies for writers to employ.

My favorite one, thus far, is “The Actors Studio Method for Developing Drama in Plots.” Continue reading

Creating convincing inner conflict in characters

Literary inspiration comes from some weird places.

Case in point: What I learned about writing from mussar

On Shabbat, I mostly stick to reading materials with Jewish content. This is just one of the ways I make it distinct from the other days of the week. Over the last several months, I’ve been nickel and diming it through Strive for Truth, Rabbi Aryeh Carmell’s English translation of the Michtav Me’Eliyahu by Rabbi Eliyahu Dessler. This book is considered a classic of mussar, the refinement of character through the lens of Torah.

When I say “nickel and diming it,” I mean this: read a couple pages, realize I didn’t really get it, re-read. Take a nap, shmooze with my husband, or hang out with the kids; pick up the book again. Realize I don’t remember how we got to this part of the essay, then backtrack and again re-read the last couple paragraphs before hitting some new material and starting all over again.

Kinda like reading Durkheim. Really heavy stuff.

Anyway, this week, when I picked up Strive for Truth after Shabbat dinner, I was forced to re-read the first half of the essay I’d begun last week. The essay is about free will. Continue reading

A picture is worth a thousand words: what photojournalists don’t want you to know about their images

Two recent articles are worth a peek for what the reveal both about contemporary politics and about the nature of photography itself.

The pieces–one in the Washington Post, the other on Breitbart.com–describe misleading pictures published during the recent Gaza conflict. Most notably, photos of dead and maimed children were used by pro-Palestinian journalists in order to accuse the Israelis of being brutal assassins of the young. Whether you feel Israel’s actions were justified or not, Palestinian children were hurt and killed during battle (and so were Israeli children). However, further investigation revealed that one of the photos–said to portray a Palestinian child gravely wounded by Israelis–was in fact a child attacked by Syrian forces in the conflict in that country. And another child, supposedly killed by Israelis, was most likely killed by a Palestinian rocket that misfired. These are only two among many “photo-ops” that were intentionally mislabeled for political purposes.

ink bottle

If I spill some ink from this bottle, what will you see?

Of course, as the Washington Post article points out, the misrepresentation isn’t always by the pro-Palestinian side (although usually Israeli press just doesn’t publish images of Palestinians who are hurt or injured). And I don’t really want to get into the political aspects of this case. What I would like to do is point out how this issue goes far beyond the Israeli-Palestinian conflict. Continue reading