In the Courtyard of the Novelist: An interview with Ruchama King Feuerman

I’ve got a treat here today: an interview (conducted via email) with award-winning author, Ruchama King Feuerman. Her latest book, In the Courtyard of the Kabbalist, just came out in September as an ebook. Recently, she signed a contract to expand the release to paperback. I became acquainted with Ruchama through Tablet Magazine online, where both of us have published essays. She was gracious enough to send me a copy of her new book and even more gracious to answer a few questions the novel left me with.

R.K. – In your first book, Seven Blessings, the central figure is a very strong female character. In this new book, you primarily follow two male, unmarried characters. What was that like for you as a married woman?

new book from Ruchama King Feuerman

In the Courtyard of the Kabbalist, now out from NYRB LIT

R.K.F.I prefer writing from the male point of view. This way I don’t worry about slippage, about parts of  my personality leaking into my characters, it’s just cleaner — what’s me is me, and what’s them is them.  I feel much freer to invent and have fun when I write as a man.  I do tend to prefer singles maybe because they are inherently dramatic. Continue reading

A picture is worth a thousand words: what photojournalists don’t want you to know about their images

Two recent articles are worth a peek for what the reveal both about contemporary politics and about the nature of photography itself.

The pieces–one in the Washington Post, the other on Breitbart.com–describe misleading pictures published during the recent Gaza conflict. Most notably, photos of dead and maimed children were used by pro-Palestinian journalists in order to accuse the Israelis of being brutal assassins of the young. Whether you feel Israel’s actions were justified or not, Palestinian children were hurt and killed during battle (and so were Israeli children). However, further investigation revealed that one of the photos–said to portray a Palestinian child gravely wounded by Israelis–was in fact a child attacked by Syrian forces in the conflict in that country. And another child, supposedly killed by Israelis, was most likely killed by a Palestinian rocket that misfired. These are only two among many “photo-ops” that were intentionally mislabeled for political purposes.

ink bottle

If I spill some ink from this bottle, what will you see?

Of course, as the Washington Post article points out, the misrepresentation isn’t always by the pro-Palestinian side (although usually Israeli press just doesn’t publish images of Palestinians who are hurt or injured). And I don’t really want to get into the political aspects of this case. What I would like to do is point out how this issue goes far beyond the Israeli-Palestinian conflict. Continue reading