megillat esther

My completely unsolicited review of “Megillas Lester”

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After all my recent ranting and raving about Esther in pop culture, I watched a video this afternoon with the husband and kids that made me feel better. I’d first heard about it on Tablet, then on the OU’s website.

animated video kol rom

Megillas Lester–a hilarious film in the Purim Spiel tradition.

Kolrom media, who has produced a lot of music videos and shorts for the Orthodox audience (like the video for the song “Ana Avda” and a hilarious bit on Aish.com called “Sicko” about how NOT to do the mitzvah of visiting the sick), has just released a video about Purim that refers to all the midrashim and commentaries I talked about in my rant. And it’s funny. Although Esther doesn’t make an appearance. Even Mordechai barely shows up.

That’s because “Megillas Lester” is about a boy, Lester, who dreams he has messed up the Purim story so much that Esther doesn’t have a chance to become queen. And Mordechai doesn’t get a chance to save the king. So who will save the Jewish people from Haman’s evil plot? Continue reading →

Megillat Esther through the eyes of a 21st century writer, or It’s okay if G-d saves the day if there’s forshadowing

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This year, in preparation for Purim, I’ve been rereading the megillah at a class given by my LOR (local Orthodox rabbi). Of course, it’s not the first time I’ve read The Book of Esther, as it’s called in English. We do that every year on Purim–twice! And it’s also not the first time I’ve learned it with this particular rabbi. But it is the first time I’ve read it with commentary, guided by my rabbi, since I officially became an author (whatever that means). And boy, is there a difference.

The Big Literary No-No All Over the Megillah

book of esther theater poland

A Purim Spiel in Poland. Photo shared in the Wikipedia Commons by Henryk Kotowski.

When you’re writing fiction, there is a big no-no that you’re told never to do: rely on deus ex machina. In short: don’t get your characters out of a tight corner by dropping a deity down from the sky to perform an instantaneous rescue. The audience will roll their eyes, at best.

The term originated with actors playing deities in the theaters of Greece. But for a religious writer of a different persuasion in the 21st century, it causes problems. Continue reading →