New Jewish year, new books by Jewish authors!

The new Jewish year is marked this time around with several new book releases that have me very excited:

1) After being mesmerized by The World to Come and In the Image, I can’t wait to read Dara Horn’s newest, A Guide for the Perplexed, which was officially published today. An essay by the author appeared in The New York Times this week, reminding of the book’s release. The topic was the role of memory in literature — particularly in Jewish literature — which Horn tied to Rosh Hashanah. (The holiday falls later this week, and it’s also known as “The Day of Remembrance.”) Her new novel reportedly draws on this theme as it follows two contemporary characters obsessed with the work of the Rambam.

in the courtyard of the kabbalist

Ruchama King Feuerman’s latest, just out

2) Ruchama King Feuerman’s In the Courtyard of the Kabbalist follows an assortment of characters in Jerusalem. I’m very blessed that the author has sent me an advance copy — a review here on the blog will be forthcoming. I was a big fan of her last book, Seven Blessings, as well as some of her more recent, shorter work. Feuerman has been called “a Jewish Jane Austen,” probably because her character portraits so marvelously balance positive and negative qualities. I’m already a few dozen pages in to the new book and really getting into it. For a recent review, see here.

3) Ofir Touche Gafla’s The World of the End will soon be published in English. Continue reading

Review of My Very Own Mitzvah Hands–new from Bracha Goetz & just in time for Chanukah!

My Very Own Mitzvah Hands cover

The Latest from Bracha Goetz!

My friends know that I love to support writers and illustrators local to me in L.A., but this time I’m turning to a writer from my hometown (hint, I’m forever an Orioles fan).

Bracha Goetz is a well-known Jewish writer and the creator of the popular “What Do You See” series of boardbooks from Judaica Press. She’s now teamed up with them for a new series, of which the first book just came out.

My Very Own Mitzvah Hands follows two young children as they employ their hands in a variety of activities. This book is similar to the secular Hands Are Not for Hitting, but differs in two significant ways: 1) the emphasis is exclusively on the positive, 2) the actions are directly connected to using our hands to connect to the Almighty through His mitzvos.

Bracha Goetz’s text rhymes nicely, and uses simple, clear language which is appropriate to the youngest readers. Attractively and colorfully illustrated by Malka Wolf, children will find the pictures engaging, and they’ll particularly appreciate the final spread, which recaps all the actions discussed earlier in the book.

I very much liked the underlying message to children–just because your hands are little, doesn’t mean they can’t bring good into our world. This message is empowering, but it isn’t overpowering in its presentation.  My Very Own Mitzvah Hands lends itself also very well to two common parenting experiences:

1) If your child is using their hands for trouble (like creating murals on your wall with permanent marker or smacking the baby), you can use the rhymes in this book to redirect them or to remind them of better things to do with their hands.

2) Sometimes, children complain about being bored. Using this book as a springboard, parents can invite their children to brainstorm things they can do with their hands to alleviate that boredom.

Whether you’re still doing your Chanukah shopping or looking for books at other times of the year, I’d recommend this book. My Very Own Mitzvah Hands refers to several of elements of Jewish practice only engaged in on a daily basis by traditional and religious families, so I would describe the target audience as children 1-5 years from those backgrounds.

Did I write that book?

I just had yet another one of those heart-stopping moments where I saw a book title, then read the review of the book and thought:

OMG! I WROTE THAT BOOK!

I’m pretty disgusted with my reaction. I’m sure my idea isn’t so original that no one else could’ve had that same one. Yes, I had my idea before that book was published—but what if that author thought of it first? Or maybe she didn’t think of it first, but she executed it better?

-sniff-

I’m chalking this up as another exercise in, “I’m only responsible for my effort, not my success.” If I was meant to sell that manuscript (I did shop it around a bit), then I would have sold it.

The end. Now it’s time to suck it up.