Helping out the illustrator, even when you don’t know who they are yet

I’ve been working on a new picture book manuscript, my first one in a while. It’s a poem that came out of  experiences with my kids and with others’ and the troubles they face.

I put it away for a couple days, pulling it out again this morning. Now that I’ve decided it’s a picture book, I’m revising it with an eye to the requirements of the format.

O the horror! It’s unillustrateable!

(Yes, I just made that word up.)

What do I mean?  Continue reading

Patience is a virtue–Submit when it’s perfect, and then prepare to wait

As I mentioned in a previous post, I’ve been picking up the pace of my submissions, and also broadening the variety of publishers I’ve been submitting to. What I didn’t realize when I committed to this strategy is how much this would test my patience.

waiting - image courtesy of microsoft

You might as well take a seat…this is going to take a while.

Let me explain. Usually, I write for Jewish magazines. If I submit a book, it’s usually a picture book involving Jewish subject matter. The world of Jewish publishers is very small, and the editors receive fewer submissions than those who handle secular material. The response time in the Jewish publishing world is much faster than in the secular publishing world. Moreover, some of the editors have gotten to know me over the years because they’ve employed me, read me online, or just like my style. I suspect that my subs don’t always go in the slush pile, at least in certain offices, B”H & bli ayin hara. Yes, I have to wait for a response from editors, but the wait is relatively short.

Re-entering the realm of secular publishing is a wake-up call to the realities of that world. Continue reading