I already posted once this week, so I’ll probably keep this one short, but I wanted to make sure I do my new little Wednesday thang so I don’t lose my groove.
I mentioned in my last post that while reviewing the proofs of my soon-to-be published middle-grade novel, I had an impulse to write a sequel. You know that old tune sung by Marlene Deitrich, “Falling in Love Again?” That’s how I felt about my characters on this weekend’s run-through. Continue reading
After last week’s post, in which I explained how to set up and run writing critique groups and manuscript swaps, I got some feedback, and I’d like to address one of the issues that came up.
There are many writers/editors, who run critique groups for a fee – and I am among them. Usually, the organizer will do at least some of the recruitment for you, and they have genuine expertise. (Although I suggest you check on this – recently, I came upon a writer who offered advice – for a fee – to a person in a field of writing it turned out they knew nothing about. There’s nothing wrong with asking for a reference even if the person is a published writer of note. Not all writers know all fields of writing, and not all writers are good at running critique groups.) Good writing group leaders are familiar with the “writing group format” and may have a very gentle and efficient way of keeping participants on-task and well-behaved. They will often arrange the logistics of the location/conference call/whatever.
Interestingly, since participants usually pay in advance for a series of meetings, they are more likely to show up. I have a close friend who is a personal trainer, and she says her clients have the same attitude: If you pay in advance, you are more likely to show up, because you know your absence will cost you money, and yet you will get no benefit from that money. For a fledgling writer who really, really needs a fire lit under their tuchas to make them show up regularly for a writing group, this has a big advantage over a free model.
I know many, many people who have enjoyed and learned a lot in writing groups run by a paid professional. A really good writing-group-for-fee is worth the price you pay. However, I don’t classify them with lay-led, no-fee groups for a number of reasons. Examining these will help a writer decide which model will work best for them. Continue reading
A little birdie told me what to write about this week.
Okay, I’m exaggerating. But recently, quite a few people have either asked me how to advance their writing skills (answer: join a critique group) or how to arrange a critique group or what they should do if they cannot attend a critique group. And while I’ve discussed critique groups on the blog before, I think it’s worth a new blog post dedicated to this topic, because I’ve been helping run critique groups for nearly five (or is it six?) years now, and I’ve learned a lot.
You only will grow as a writer if you write regularly. But motivating yourself to write regularly, with no deadlines, is challenging. Getting useful feedback can also be challenging. For instance, you might have a close friend or relative read it, but will they be objective? And you could take a class, but that might involve spending money. (Note: I think it can be worthwhile to take writing classes – but I don’t have much spare change and won’t assume you have it either.) You can remedy all these problems with a single solution: the critique group.
So, I’m 11 minutes late, but I’m posting today, third Wednesday straight. Hooray, me!
I’ve been spending a lot of time copyediting (and proofreading and plain ole editing) the last couple weeks.
I have not been spending a lot of time writing.
I have mixed feelings. Editing brings in money. It is easier. I get paid faster, at least usually. I get a certain pleasure from helping other people sound clever and polished.
But I have my own projects to complete. In between editing, I’ve been revising a story I wrote last year, and I wrote a tiny piece of flash fiction yesterday while my kids did their homework at the library. However, I’ve got more to write, so much more. The ideas zoom around my head at night.
I worry that I’m trading a bit of quick money for my own creative accomplishments. Yet there are bills to pay.
Hmpf.
I haven’t been posting much this month because I’ve been very, very busy. Thank G-d, in a good way. After failing to write any fiction for a couple months, I wrote three short stories – bang! bang! bang! – and a few teensy other projects besides.
I had the kids home with me on Friday because of the Mid-Winter Vacation many Jewish schools stick between semesters. I was a bit under the weather and had to shop AND cook for Shabbos because I’d been too tired after painting with the kids and taking them to a museum on Thursday to do the grocery shopping then, as I usually do.
The exhaustion! The squabbles! The noise! It was ugly.
And then I opened up Inyan magazine and saw this:
Instantly, all was better.
Rebecca Klempner 