Hey, buddy! What about my voice?
Last week, I got an email from an editor (she’ll be the heroine of this story, but will remain nameless nonetheless). She asked me to make one change–one very small change–to the story that I had submitted.
Because I trust this editor–she’s very good at what she does and has built a friendly relationship with me–I said I’d make the teeny-tiny change she’d requested.
And then I panicked. Continue reading
I’m sure I’ve blogged about rejection numerous times at this point, but since I continue to collect rejection letters, why not continue blogging about them?
Mom! I think you just got another rejection letter!
Over the summer, I wrote a story that my husband adored. He likes almost all my stories, but this one he really, really liked. He particularly enjoyed the nasty anti-hero at the center of the story and the unhappy ending.
On the other hand, I didn’t like the way I’d originally executed my idea, so I set it aside for a couple months. Eventually, I brushed it off and polished it up a bit before sharing it with my writing group. They provided extensive feedback, and I acted on it, hoping that the new, much improved story would dazzle the editors. Continue reading
As I mentioned in a previous post, I’ve been picking up the pace of my submissions, and also broadening the variety of publishers I’ve been submitting to. What I didn’t realize when I committed to this strategy is how much this would test my patience.
You might as well take a seat…this is going to take a while.
Let me explain. Usually, I write for Jewish magazines. If I submit a book, it’s usually a picture book involving Jewish subject matter. The world of Jewish publishers is very small, and the editors receive fewer submissions than those who handle secular material. The response time in the Jewish publishing world is much faster than in the secular publishing world. Moreover, some of the editors have gotten to know me over the years because they’ve employed me, read me online, or just like my style. I suspect that my subs don’t always go in the slush pile, at least in certain offices, B”H & bli ayin hara. Yes, I have to wait for a response from editors, but the wait is relatively short.
Re-entering the realm of secular publishing is a wake-up call to the realities of that world. Continue reading
Yesterday, I was reading the daily post of a great blogger, Bottleworder. His topic? The benefits of being dumb. It’s worth reading.
Today, I’m not going to write about the benefits of being dumb, but something that afflicts many writers: feeling dumb.
“Have you read this yet, Eugenia? It’s brilliant, I tell you! That Rebecca Klempner’s going to win a prize one of these days!”
When I read something I’ve written in the past, I usually have one of two reactions:
1) That was brilliant! I wrote THAT? Was I channeling or something? Wow.
2) I can’t believe I wrote that. Why, oh why didn’t I (insert suggested improvement here) before I submitted? It could have been so much better. People are reading this drech? And my name’s attached to it? Can I hide now?
I think that writers like me have the self-confidence of a pogo stick. Up-down-up-down. If this were just a matter of my self-esteem, I’d keep this discussion to myself, but it actually affects my decision-making skills relative to my writing.
When do I submit? Is it good enough? Will it be accepted as it is, or will some editor laugh at my sub and then tell his buddy in the next cubicle about how terrible it was.
Is what I wrote actually funny, or did the members of my writing group (and my darling husband) only laugh because of the intonation of my voice while I was reading? Or because they were feeling punchy after too little sleep?
You catch my drift. Continue reading
I just had yet another one of those heart-stopping moments where I saw a book title, then read the review of the book and thought:
OMG! I WROTE THAT BOOK!
I’m pretty disgusted with my reaction. I’m sure my idea isn’t so original that no one else could’ve had that same one. Yes, I had my idea before that book was published—but what if that author thought of it first? Or maybe she didn’t think of it first, but she executed it better?
-sniff-
I’m chalking this up as another exercise in, “I’m only responsible for my effort, not my success.” If I was meant to sell that manuscript (I did shop it around a bit), then I would have sold it.
The end. Now it’s time to suck it up.
Soooo…to make long story short, I did not spend my morning writing or editing today. Nope, no 1000 words for me today. Instead, I attended a workshop by Esther Simon, a well-known professional organizer. It ended up being a little bit of a wake up call. My revelation came in the middle of a discussion about how the way you spend your time should reflect your goals and values.
Am I really doing what I need to do to sell my next book? Continue reading
Rebecca Klempner 