Cold shoulder or pit bulls? On Peter Beinart, the Atlanta Jewish Book Fair and how to act when you disagree with a writer

I don’t often comment on news items, but this one is both Jewish and book-related, so I thought it would be worth mentioning.

Earlier this year, Peter Beinart–blogger and professor–wrote a book blaming the lack of peace in Israel on the Israelis. Even to someone whose politics are somewhat atypical for an Orthodox Jewish American, I found the premise of Beinart’s book both offensive and intellectually flimsy.

Should we set the dogs on ‘im?

This week Atlanta’s JCC hosts 10,000 visitors at its annual Jewish Book Fair. Initially, Peter Beinart was scheduled to appear there to promote his book. But, due to the outrage of many Atlantans who disagree with his public attacks of the Israeli government, Beinart will no longer be welcome to speak at the book fair. Instead, he’s speaking this evening at a different venue. (For more coverage, see here.)

Was this the right reaction? Continue reading

Finding Inspirational Words from Sarah Shapiro–Defining Jewish Writing, Part 2

A couple of weeks ago, some of the comments on a post I wrote about defining Jewish writing revolved around the introduction to Sarah Shapiro’s All of Our Lives. I took a workshop with Sarah–who writes, edits, and teaches amazing writing workshops that have inspired many fledgling Jewish writers–and have a lot of respect for her opinions, so I borrowed the book from a friend (thanks Miriam!) in order to more accurately represent Sarah’s opinions here.

Sarah’s essay “The Writer’s I” reflects several of the issues I discussed in my original post. Jewish Writing can be defined by the author’s identity, by its subject matter, or can be considered a completely arbitrary label. She personally feels that “all three are right,” but admits the difficulty in establishing a single definition.

Sarah goes on to say that attempts to identify or define specifically Orthodox Jewish writing are even more complicated. Continue reading

How to teach people while you entertain them: Modern-day Moshels

To those unfamiliar with the term, a “moshel” is the Hebrew term for a parable, a story told with the intent to illustrate a lesson (usually a moral or theological one). I equate moshels with the soda your mom would offer you as a chaser after taking whatever foul-tasting medicine the doctor had prescribed you. It makes it easier to get the lesson down, and you might even look forward to the next dose.

Moshels–particularly those of the Baal Shem Tov, Rebbe Nachman of Breslov, and the Ben Ish Chai–are familiar to most readers with a Jewish education. They often appear in Rabbis’ drashos, and they sometimes make their way into children’s books. Several authors have recently attempted to update classic moshels and make them more appealing to tweens and teens–most successfully, perhaps, Steve Sheinkin in his entertaining Rabbi Harvey series, which take place in the Old West. One of the most challenging aspects of this genre is that you want to convey the lesson accurately without sounding pedantic, boring, or preachy. Also, some of the settings and situations detailed in traditional moshels don’t appeal to contemporary readers, or (more often) are so unfamiliar as to complicate comprehension of them.

I have my own spin on the Modern-day Moshel that I’ve been trying to market, which I’m not sharing here (because, like many authors, I’m terrified of people copying my idea before I can sell it myself–see this post). However, I thought I’d provide a heads-up to my readers what I’m thinking about right now.

What is Jewish writing? Defining Jewish Writing, Part 1

What do you think?

Tablet Magazine asks this week, “What is Jewish fiction? What makes a Jewish writer?

This isn’t a new question. A year or so ago, there was this outstanding post on Jeremy Rosen’s blog, considering the same questions, and there are other essays on the subject published elsewhere.

Recently, the online magazine, Tablet, began to publish short fiction. The second story it selected, by young author Justin Taylor, begged the question. The characters weren’t Jewish, but more importantly, there were no allusions to Jewish literature, issues, history or culture in the story. Rabbi Rosen’s argument  would disqualify Taylor’s story as an example of Jewish writing by that token. On the other hand, the editors at Tablet certainly felt that since Taylor is Jewish, his story is Jewish.

So I ask: Is Jewish writing by a Jewish author, or must it contain Jewish content?

I’d LOVE input about this issue. Please state your ideas below. If you want to read Taylor’s story, I want to caution you, it contains coarse language.

2 Funny Ladies: Nachas from my friends Judy Gruen and Miriam Hendeles

A couple months ago, I published about being farginen–taking pleasure in other people’s success. So today, I’m going to share reviews of two of my friends’ new books:

I’ve known Judy Gruen for at least a decade, and she’s as funny in print as she is in person, which is saying a lot. Her articles on Aish.com and in magazines are not only funny, but touch the experiences of women everywhere, which is one of the reasons her writing is so effective. Readers can’t help but identify with Judy.

Judy’s Till We Eat Again: a Second Helping is a rollicking trip through Judy’s attempt to shed 15 lbs prior to a reunion. We follow her struggle with conflicting and often wacky weigh-loss advice, the apathy of her spouse, and her children’s hatred of health food. Her self-deprecating humor allows us to laugh at our own propensity to cheat when confronted with chocolate or be jealous of the effortlessly and relentlessly thin among our friends. As the book progresses, Judy gets closer and closer to her momentous reunion, and her misadventures get progressively wackier. Fortunately, Judy survives her ordeal slightly thinner, but with her humor completely intact.

Note: this book is not even remotely an attempt to give accurate weight-loss advice. It’s more like a stand-up act. A very funny one (I almost fell off my bed at one part). Fellow warriors in the battle of the bulge will appreciate the humor and may even loose a couple ounces laughing. Also, some very conservative (little “c”) readers might not approve of a few very slightly racy situations. Until We Eat Again can be found on Amazon.com.

I’ve admired Miriam Hendeles’s work ever since she started out in the late magazine, Jewish Life Los Angeles. After she moved on to Binah Magazine, she became a friend, too, so it’s with great excitement that I’m reviewing her first book, Mazel Tov! It’s a Bubby!

Mrs. Hendeles is a native of New York, but has been an active member of our L.A. community since her marriage. A former Bais Yaakov teacher, she currently works as a music therapist. Even more importantly, she and her husband have—bli ayin hara—raised a family of several boys…boys who are steadily growing up, marrying, and starting their own families, providing plentiful material for her magazine columns. Mrs. Hendeles’s new book is a compilation of those columns, along with additional material touching on the life of the contemporary Blackberry-wielding, Skype-viewing, master’s-degree-holding mother-in-law and grandmother.

Mazel Tov! It’s a Bubby!  is an upbeat book about a topic that is fraught with anxiety: the transformation from daughter-in-law and mother to mother-in-law and grandmother. Mrs. Hendeles’s self-deprecating humor and positive outlook set this book apart. She invites us along in her attempts to be a “Model In-Law” and “Model Grandparent.” Her efforts are usually successful, but occasionally flounder. She takes the missteps in stride, poking fun at her foibles, but also seizing the opportunity for introspection and improvement.

That’s not to say that Mazel Tov! It’s a Baby shies away from tumultuous emotions. We waver right along with her when she knows her “new couple” needs space but her hand keeps reaching for the phone. We see her mixed feelings about giving her adult children independence when her opinion just wants to leap out of her mouth. And we witness her nostalgia for her children’s youth as well as her hopes for their future. This is a book that touches the heartstrings as well as tickles the funny bone.

There is another common thread among the essays in Mazel tov! It’s a Bubby! In Judaism, particularly in the mussar tradition, we see the events and the challenges of life as opportunities for personal growth and character development. When the author writes, “Often, individuals refuse to think out of the box, since that may imply a perceived weakness…When we sense that we are spinning our wheels and getting stuck in the same patterns of thinking, perhaps we should ask ourselves, ‘Is it time for a change?’” she’s planting her book squarely in the mussar tradition. Mrs. Hendeles is urging her fellow in-laws and grandparents on to further self-improvement at a stage in life when some give up.

The opening chapters of Mazel Tov! It’s a Bubby! depict the typical milestones that follow the marriage of one’s first child. We smile as the entire Hendeles family debates the various merits (and demerits) of “Grandma,” “Oma,” and “Bubby” before the first grandchild is even born. Our heart flutters when the author reflects, “…something inside me longed for the good ol’ days of PTA meetings, play dates, Mommy-n-Me’s, and strolls to the playground.” And we giggle when the author suggests her teenage son lie down next to her grandchild to help the latter tolerate “tummy time” or when a well-planned, first-time sleep-over goes amok.

As the volume progresses, the stories branch out a bit, with increasing hilarity and insightfulness. The author struggles with keeping family traditions of letter-writing and multi-lingual proverb-spouting at the same time as embracing emails and text messages. She juggles the needs of her teenage son living at home with the young grandchild visiting there. I laughed along with Mrs. Hendeles’s list of preferred traits in mechutanim and her “Diary of a Shadchan Wannabe.” Mrs. Hendeles discovers that middle age—with its less rigorous daily demands—offers opportunities to branch out into new hobbies and professions.

Mazel Tov! It’s a Bubby! would make an excellent gift for the new—or not so new!—mother-in-law or grandmother in your life. However, it isn’t limited to that audience. As a woman whose oldest child is still in elementary school, I found plenty to enjoy in this book.

Mazel Tov! It’s a Bubby! is due in Jewish bookstores and at http://www.israelbookshoppublications.com on September 5th. (A version of the second review that appears above was published previously in CitySpirit Magazine.)