Writing conundrum: Leaving behind that outline without creating problems

So, I’m back to cranking out chapters of my serial this week, and this time, I hope to do it a little faster. The quicker I finish the serial, the easier it will be for me to focus on other projects, I think. Anyway, something is happening as I write that I think is worth mentioning, because I sincerely doubt that I’m the only writer to experience it.

In the beginning, there was an outline…

serial title imageIn order to secure my gig to write my current serial for Binah BeTween (“Glixman in a Fix”), I had to prepare an outline. Once that was approved (along with character profiles, the summary, and so on), I started writing. Generally, I write the serial episodes — I might have mentioned this before — in blocks of three, basing them on the outline. Because I’m working from an outline, with characters who are now well known to me, the writing goes relatively quickly. Then I revise the rough drafts once or twice and send them together in a batch to the editor.

Recalibrating

We’re now more than a third of the way in, and more and more often, I find that I’m diverging from the outline. Continue reading

Let it out: 5 Steps to Writing when Emotional

Yesterday, which started with the announcement that the bodies of the three kidnapped Israeli teens had been recovered and ended for me with a shiva call, kept me in such a state of horror and confusion, I didn’t get much writing done. After several failed attempts at work, I finally gave up and decided to develop a community action project I’d dreamed up instead.

While everyone else was asleep…

Late at night, I awoke, exhausted but still reeling from the emotional turmoil of my day. So many words seemed to bubble out of me, I couldn’t get back to sleep. Eventually, I got out of bed and wrote the first draft of an essay about the special lady whose shiva I’d attended earlier in the day. When I was done, I felt emptied out, much calmer and more ready to sleep.

But is it good writing?

While writing material at the moment I am wrapped up in heartache, delirious joy, or nervousness can help me work through my feelings, I find that the outcome usually isn’t my best writing, or even my most passionate writing to read. Word choice suffers, and is often redundant. Logic wavers. Sometimes the resulting text is downright incoherent. You might even call it Writing Under the Influence…of Emotions. It can be that circuitous, drawling, and dribbling.

I’ve developed a process that works for me in these moments.

5 Steps to Writing when Emotional

Continue reading

Switching from the Pressure Cooker to the Crock-Pot: A (much needed) break

Whew!

At this point last week, I had three looming deadlines ahead: a short story each for Binyan and for Binah BeTween, and my next batch of episodes for Glixman in a Fix, the serial currently running in Binah BeTween. I was feeling stressed out not just because these items needed to be in by this week, but by a whole string of deadlines, pretty much constant ones for months on end.

The Pressure Cooker

I had first drafts for both stories already written, and an outline to base the serial chapters on, but it was a lot of writing to complete in a single week. The previous few stand-alone pieces I did for the tween/teen magazines had not come as smoothly as usual, so I was feeling anxious. Trying to think of multiple fictional plots, spoken in the voices of multiple narrators, overlapping one another for months on end was wearing my creativity a little thin. The quality of my work had dropped, and it weighed on my mind.

In fact, Continue reading

This week’s accomplishment: My First Publication in 2nd Person…sort of

Writing fiction in second person point of view is one of those fancy tricks that many people attempt, but few people pull off. I’ve always wanted to do it, but my first several tries sounded stilted and like I was trying too hard.

But this week’s Binyan (inside Hamodia) contains the first story where I think I pulled it off. I think that part of what makes it work is that it combines the first and second person. Let me explain. Continue reading

Analysis: My first writing workshop for adults

Along with writing and editing, I’ve coached writers one-on-one off-and-on for the last couple years. I’ve presented writing workshops and made author visits to groups even longer than that, but those groups always consisted of school children. Yesterday, for the first time, I combined the two and taught a writing workshop for fledgling writers aged 15 and up. Actual grown-ups attended!

The Crash Course

Since my greatest area of expertise is writing for tots, tweens, and teens, I decided to offer a three-hour crash course in writing for those groups. My husband agreed to whisk away the kids who weren’t in school (some Jewish day school kids attend on Sunday mornings), and I prepared materials and advertised.

Overtime

I thought three hours would be enough, I really did. Continue reading

Writing a serial: Nickel and dime-ing your way through fiction publishing

On the way to pick up one of my kids at school on Friday afternoon, one of the other moms pulled me aside.

“We’re really enjoying your new serial in Binah,” she said.

I got a little extra bounce in my step. “Thanks!”

“But getting just one chapter a week is driving us crazy! It’s so hard to wait for the next one!’ she added.

“Sorry!” I replied.

There really isn’t anything I can do to help her, but I feel her pain. Usually, I’m the reader throwing my arms up in frustration at the end of a serial episode screaming, “I have to know what happens next! Argh!”

What’s really funny, is that now as a writer, Continue reading