HOW TO WELCOME AN ALIEN has been out for almost a month, and…

I feel like I have to pre-empt the following with a “Ptui, ptui, ptui—bli ayin hara!” qualifier.

Prepping for the release of HOW TO WELCOME AN ALIEN, my latest book, was a lot of work. The publisher and I brainstormed who to send ARCs to, we secured a bunch of reviews and interviews, and I posted almost daily to try to drum up sales.

My newest book, HOW TO WELCOME AN ALIEN, joins the other books I’ve published on my banged up shelf.

For the first couple week, sales were pretty good. Not fantastic, but okay. Trying to sell books past the week of release is…challenging.

I’m pleased with how my book turned out, but there are so many other beautiful books out there, and I’m afraid that my book will be lost in the crowd. Sure aliens are great, and the lesson (about the mitzvahs of hachnassat orchim and taking care of strangers) is really important. But there are a lot of authors with new books out trying to get in front of readers.

Also, I have that “Book just came out, and I need to worry about the next book,” feeling. There’s an idea floating around the writing world that a successful author has a new book coming out every couple years, at minimum. I’m writing and submitting but keep getting one rejection after another. I just keep writing and submitting, but I’d really like to have another book under contract by now.

It’s much nicer to have books published than to have no books published. But it’s also not an easy business and staying power is…hard to find.

Anyway, to focus on the positive:

  • Reviews have been good.
  • I feel proud of the way the book turned out (shout out again to Shirley Waisman for her illustrations and to Lili Rosenstreich for shepherding this project for Kalaniot).
  • I really appreciate my writing group members, friends, and all the people who reviewed my book or posted about it on social media. It’s really great to have such a supportive book community.

Writing Groups Run for Pay Are Useful…But Not the Same as No-Fee Writing Groups

After last week’s post, in which I explained how to set up and run writing critique groups and manuscript swaps, I got some feedback, and I’d like to address one of the issues that came up.

What to expect if you pay for a professionally-led writing group:

There are many writers/editors, who run critique groups for a fee – and I am among them. Usually, the organizer will do at least some of the recruitment for you, and they have genuine expertise. (Although I suggest you check on this – recently, I came upon a writer who offered advice – for a fee – to a person in a field of writing it turned out they knew nothing about. There’s nothing wrong with asking for a reference even if the person is a published writer of note. Not all writers know all fields of writing, and not all writers are good at running critique groups.) Good writing group leaders are familiar with the “writing group format” and may have a very gentle and efficient way of keeping participants on-task and well-behaved. They will often arrange the logistics of the location/conference call/whatever.

Interestingly, since participants usually pay in advance for a series of meetings, they are more likely to show up. I have a close friend who is a personal trainer, and she says her clients have the same attitude: If you pay in advance, you are more likely to show up, because you know your absence will cost you money, and yet you will get no benefit from that money. For a fledgling writer who really, really needs a fire lit under their tuchas to make them show up regularly for a writing group, this has a big advantage over a free model.

I know many, many people who have enjoyed and learned a lot in writing groups run by a paid professional. A really good writing-group-for-fee is worth the price you pay. However, I don’t classify them with lay-led, no-fee groups for a number of reasons. Examining these will help a writer decide which model will work best for them. Continue reading

Step-by-Step Guide to Setting up a Writing Critique Group or a Manuscript Swap

A little birdie told me what to write about this week.

Okay, I’m exaggerating. But recently, quite a few people have either asked me how to advance their writing skills (answer: join a critique group) or how to arrange a critique group or what they should do if they cannot attend a critique group. And while I’ve discussed critique groups on the blog before, I think it’s worth a new blog post dedicated to this topic, because I’ve been helping run critique groups for nearly five (or is it six?) years now, and I’ve learned a lot.

Why Join a Critique Group?

You only will grow as a writer if you write regularly. But motivating yourself to write regularly, with no deadlines, is challenging. Getting useful feedback can also be challenging. For instance, you might have a close friend or relative read it, but will they be objective? And you could take a class, but that might involve spending money. (Note: I think it can be worthwhile to take writing classes – but I don’t have much spare change and won’t assume you have it either.) You can remedy all these problems with a single solution: the critique group.

How to create a critique group:

Continue reading

Why Endings So Often Disappoint Readers

I’ve posted about the difficulty of nailing an ending before. More than once, I’ve had to completely abandon the conclusion of my rough draft and write an entirely new ending. When I said in the title of this post that endings “disappoint,” I really wanted to use that word that Bart Simpson made popular in the late ’80s that some of my readers insist is almost as bad as actual profanity. I’ll refrain.

I’m thinking about endings because Continue reading