3 Ways to use your words charitably–How to help people in need from far away

Yesterday, it took me hours to get myself writing. Instead of typing at my keyboard, I was numb with fear for the residents of Israel (and, in fact, for the children of Gaza, whose safety is in jeopardy–regardless of who is jeopardizing it, which is a political question I refuse to address here). It’s only a couple weeks since Superstorm Sandy hit the eastern seaboard of the U.S. People lost homes, places of worship, jobs, every material good they possessed. And here I sit in California, comfortable and in no immediate threat of danger. There are no sirens warning of incoming rockets blasting in my neighborhood, and the rain outside is just a sprinkle.

On this blog, I write about words, and how to employ them. Today, I’m going take a break from discussing professional writing to give 3 ways you can use your words to help people in Israel and the victims of Hurricane Sandy.

1) You can blog to raise money for a (legitimate) charitably organization who will be helping the victims of Sandy (such as the Jewish charity Achiezer and the secular  American Red Cross).

2) You can write a letter or email (or post on a Facebook page) to a friend in Israel or in New York (or other Sandy-affected area). If you don’t know what to say, just say, “I want you to know I’m thinking about you. I’m far away, but you are not forgotten.”

3) You can write something to bring goodness in the world–a letter apologizing to someone you hurt, intentionally or not; a letter to someone lonely; something kind and beautiful. Then mail it.

 

Cold shoulder or pit bulls? On Peter Beinart, the Atlanta Jewish Book Fair and how to act when you disagree with a writer

I don’t often comment on news items, but this one is both Jewish and book-related, so I thought it would be worth mentioning.

Earlier this year, Peter Beinart–blogger and professor–wrote a book blaming the lack of peace in Israel on the Israelis. Even to someone whose politics are somewhat atypical for an Orthodox Jewish American, I found the premise of Beinart’s book both offensive and intellectually flimsy.

Should we set the dogs on ‘im?

This week Atlanta’s JCC hosts 10,000 visitors at its annual Jewish Book Fair. Initially, Peter Beinart was scheduled to appear there to promote his book. But, due to the outrage of many Atlantans who disagree with his public attacks of the Israeli government, Beinart will no longer be welcome to speak at the book fair. Instead, he’s speaking this evening at a different venue. (For more coverage, see here.)

Was this the right reaction? Continue reading

Finding Inspirational Words from Sarah Shapiro–Defining Jewish Writing, Part 2

A couple of weeks ago, some of the comments on a post I wrote about defining Jewish writing revolved around the introduction to Sarah Shapiro’s All of Our Lives. I took a workshop with Sarah–who writes, edits, and teaches amazing writing workshops that have inspired many fledgling Jewish writers–and have a lot of respect for her opinions, so I borrowed the book from a friend (thanks Miriam!) in order to more accurately represent Sarah’s opinions here.

Sarah’s essay “The Writer’s I” reflects several of the issues I discussed in my original post. Jewish Writing can be defined by the author’s identity, by its subject matter, or can be considered a completely arbitrary label. She personally feels that “all three are right,” but admits the difficulty in establishing a single definition.

Sarah goes on to say that attempts to identify or define specifically Orthodox Jewish writing are even more complicated. Continue reading

Did I write that book?

I just had yet another one of those heart-stopping moments where I saw a book title, then read the review of the book and thought:

OMG! I WROTE THAT BOOK!

I’m pretty disgusted with my reaction. I’m sure my idea isn’t so original that no one else could’ve had that same one. Yes, I had my idea before that book was published—but what if that author thought of it first? Or maybe she didn’t think of it first, but she executed it better?

-sniff-

I’m chalking this up as another exercise in, “I’m only responsible for my effort, not my success.” If I was meant to sell that manuscript (I did shop it around a bit), then I would have sold it.

The end. Now it’s time to suck it up.

How to teach people while you entertain them: Modern-day Moshels

To those unfamiliar with the term, a “moshel” is the Hebrew term for a parable, a story told with the intent to illustrate a lesson (usually a moral or theological one). I equate moshels with the soda your mom would offer you as a chaser after taking whatever foul-tasting medicine the doctor had prescribed you. It makes it easier to get the lesson down, and you might even look forward to the next dose.

Moshels–particularly those of the Baal Shem Tov, Rebbe Nachman of Breslov, and the Ben Ish Chai–are familiar to most readers with a Jewish education. They often appear in Rabbis’ drashos, and they sometimes make their way into children’s books. Several authors have recently attempted to update classic moshels and make them more appealing to tweens and teens–most successfully, perhaps, Steve Sheinkin in his entertaining Rabbi Harvey series, which take place in the Old West. One of the most challenging aspects of this genre is that you want to convey the lesson accurately without sounding pedantic, boring, or preachy. Also, some of the settings and situations detailed in traditional moshels don’t appeal to contemporary readers, or (more often) are so unfamiliar as to complicate comprehension of them.

I have my own spin on the Modern-day Moshel that I’ve been trying to market, which I’m not sharing here (because, like many authors, I’m terrified of people copying my idea before I can sell it myself–see this post). However, I thought I’d provide a heads-up to my readers what I’m thinking about right now.

I hit a double!

Let’s see if we can bat Mrs. Klempner into home plate!

For the first time, I’ve had two stories published in one week. For some writers, this is nothing, but for me, it’s a real accomplishment. The first story appears in the October 22nd Binah BeTween; the second, in the October 24th Binyan. I just turned in another piece to Binyan yesterday. G-d willing, you’ll find it in print in about a month.

Establishing myself as a career writer as opposed to a hobbyist is a big struggle, and sometimes I feel like I’m floundering around a bit. It’s been comforting the last couple weeks to touch base with other writers, some of whom ARE making a bit of money. So I’m chugging along, praying for success. Not big name, big money success, just enough to cover a medium-sized chunk of day school bills. Is that so much to ask?

I’ve been spending a lot of time this week on career-building activities, trying to solicit writing gigs, adding onto my Goodreads page, hunting for an agent for the novel that I’m STILL revising, that kind of thing. I’m planning a writing workshop that I’m hoping to test out in December. Yesterday, I had the pleasure of sharing a new story, a suspenseful sci-fi short story for adults, with my writing group. With a little Heavenly assistance, I’ll be able to sell that one, as well.

I’ve also been revisiting the whole issue of self-publishing, or possibly, starting a small press through one of the POD publishers, which some people have found to be a successful model. A little creative thinking might make the difference in me being able to do what I love vs. drop writing and having to find a decently paying job.

Ooops. I’m hyperventilating again. Too many visions of desk jobs dancing through my head.