Helpful tools to plot your story

man and woman in library

“Excuse me, sir. Do you happen to remember that story where that guy dies and one of his sons thinks the other did the crime, but it turns out to be the mother instead?”

I was reading a post by Noelle Sterne on Writer’s Digest today where she describes “How to Prevent Predictable Plots.” She cites Georges Polti, who listed 36 classic plots which are constantly used and reused in literature and drama. (Sterne suggests that it’s inevitable you’ll use one of these basic plots, but that you can set yourself apart and introduce unpredictability through the details.)

Intrigued, I went to a description of these “dramatic situations.” Continue reading

To outline, or not to outline, that is the question.

I just viewed this interesting slideshow on Flavorwire containing outlines by famous writers. I use “outlines” in a broad sense–several were more like graphic organizers than true outlines. I had a weird reaction to the piece.

Usually, I start stories with clusters or notes, not with actual outlines, unless we’re talking something big–a serial (even a mini-serial) or a novel. Sometimes, I cross out and draw arrows to rearrange the elements so often, I end up rewriting the whole thing a few times because I no longer can read my own diagrams.

In most cases, these scribbles remain private. However, I happen to be working on a project right now where the publisher requested an outline first, but that’s never really happened before.

Several of my friends tell me they just start writing. They skip the outlines, diagrams, and charts and words just start to flow.

This slideshow bizarrely made some part of my brain do a superiority dance. “I am in good company with other prewriters,” it seems to say. “Just look at me with the likes of Henry Miller, William Faulkner, Sylvia Plath and Joseph Heller!”

This is utter nonsense. Plenty of writers do just fine without scribbling diagrams, outlines, or the like first, particularly if they are writing short form.

Are you an outliner? Why or why not?

Background on my new story: “Just Perfect” (or why I believe we all live in a Magical Reality)

This week, Hamodia‘s Inyan Magazine published my new short story (and it’s actually for adults!), entitled “Just Perfect.”

The original version of the story was explicitly a piece of fantasy, but as I mentioned in a previous post, I transformed the story into an example of magical realism rather than fantasy in order to address the concerns of my lovely and knowledgeable editor at Hamodia. 

In the original version, then called “Easy as Pie,” the transformation of Libby’s life occurred after she bumped into a little old lady who offered her a slice of peach pie at a party. The pie made Libby’s life–well, just peachy. But my editor felt the little old lady was a little unbelievable. Could I cut her? The only problem was that her brief appearance at the beginning and the end of the story explained the wacky events in between.

I wracked my brains for a way to ditch the old lady but save the rest of the silliness. There had to be an explanation for it, after all. I did a bit of experimentation and research. Finally, I decided that maybe Libby should just pray–and then G-d answers.

Even after I found my “magically real” solution, I initially balked at making the change. It was an elegant solution, so my reaction puzzled me. I had to think about it a lot, and I think my conclusion is worth sharing. Continue reading

How to write funny: what you can learn from Isaac Asimov

Asimov on Humor

A must-read for anyone who wants to write humor

When I first married my husband, I was delighted to discover among his possessions a copy of Isaac Asimov’s Treasury of Humor. I had read the book in high school and enjoyed reading it again, this time discussing it extensively with my husband.

Not only does this book contain jokes–great, classic ones–but Asimov explains why they’re funny, how to tell them, the origin of them, and if there are different versions. He explains the differences between shaggy dog stories, puns, black/gallows humor, and so on, and what makes each type tick. Asimov does this all in a chatty way that reminds you of your great-uncle shmoozing with you–it’s just so much fun.

Flash forward a few years. Continue reading

3 Tricks for magazine writers: How to write on a theme and still make your deadline

keyboard

Before you start to type, you might want to try one of these 3 things.

One of my writing jobs is penning teen and tween stories for Jewish magazines. Before getting this gig, I had to learn an important lesson: most kids’ magazines select one theme per issue, and they are only open to stories on those themes. That means you have to write what they want, when they want it–but you’ve got to still tap into your creativity to make your story fresh, fun, and readable.

NOTE: Writing contests (although many are scams, there are plenty of legit ones) and classroom assignments frequently require that submissions/assignments include a specific topic or theme and have a deadline, as well. You don’t have to write for magazines to benefit from these 3 tips.

Sometimes, I get the heads-up on what story the editor wants on what theme a month in advance. But sometimes it’s a lot less. How do I come up with a story on short notice?  Continue reading