3 Reasons everyone needs sleep

While completing any major project — whether it’s a writing project or Pesach cleaning — it’s very tempting to burn the midnight oil. Sometimes it’s not the threat of missing the deadline that keeps you going until the wee hours; it’s the simple excitement of the flow state.

Just say no. The writing you do late at night is probably not your best, anyway. It reminds me of being around drunks or people high on marijuana: they think they’re being witty and hilarious, when really they just sound like idiots. Lack of sleep will leave you stoned.

You might insist that it’s worth it: you’re a night owl or you’re being courted by the muse. Okay. Maybe if you are truly a night owl, you can handle this. But then you better wake up after ten a.m.

Why? Here are 3 reasons for writers to hit the sack at a decent hour:

  1. You will not be able to function well the next day. Remember, you will have work to do then, also. Small tasks will feel overwhelming and unmanageable. For example, if you write an extra hour tonight, you might loose two or three hours of writing the next day. Or you might miss errors when you proofread because of lack of focus.
  2. Your dreaming mind may generate solutions to problems, creative ideas for your work, and gel previously distinct thoughts into a coherent whole. You don’t want to miss out on these gems.
  3. You become negative when you suffer from sleep debt. You argue. You see things with a negative spin. Rejection letters are harder to take. You respond too quickly and harshly to emails. You turn positive stories on their heads. Writing will be frustrating rather than invigorating.

And now, I’m headed to bed. Feel free to share any deadline/all-nighter horror stories you may have experienced in the comments.

Clean your file cabinets for Passover: Yet another piece of wacky advice from yours truly

So, in the Klempner household, preparations for Pesach — Passover — are in full swing. We’re vacuuming and scrubbing the house, the car, and the van like crazy. I’m muttering things like, “Why do I let them eat in carpool?” and “How do you get cookie crumbs in sock drawers?” under my breath.

Photo by Pptudela and available through Wikipedia Commons

One of my favorite parts of Pesach cleaning is finding things you’ve lost: the missing token from a game you’ve been wanting to play on rainy days, spare change, receipts for purchases you’ve been meaning to return, missing socks.

I’m not suggesting you pull out the 409 and start scrubbing down your file cabinets (although, if a toddler has access to its drawers, it might be a good idea). I’m suggesting that you flip through some old stories — ones you discarded incomplete, or complete but not yet ready for prime time viewing — and revisit them.

Continue reading

When writing shifts from a hobby to a job: my new essay in Tablet

Meow.

Meow.

Last year, I wrote on this blog that I struggled with creating the annual Purim newsletter I co-write with my husband. Well, this year, I wrote an essay about it for Tablet. You can read it here.

And if you don’t live in L.A., but do want to see this year’s edition of the newsletter (and other freebies throughout the year), you can fill out this form.  I’ll put you on the mailing list!

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Thank you for your response. ✨

 

Megillat Esther through the eyes of a 21st century writer, or It’s okay if G-d saves the day if there’s forshadowing

This year, in preparation for Purim, I’ve been rereading the megillah at a class given by my LOR (local Orthodox rabbi). Of course, it’s not the first time I’ve read The Book of Esther, as it’s called in English. We do that every year on Purim–twice! And it’s also not the first time I’ve learned it with this particular rabbi. But it is the first time I’ve read it with commentary, guided by my rabbi, since I officially became an author (whatever that means). And boy, is there a difference.

The Big Literary No-No All Over the Megillah

book of esther theater poland

A Purim Spiel in Poland. Photo shared in the Wikipedia Commons by Henryk Kotowski.

When you’re writing fiction, there is a big no-no that you’re told never to do: rely on deus ex machina. In short: don’t get your characters out of a tight corner by dropping a deity down from the sky to perform an instantaneous rescue. The audience will roll their eyes, at best.

The term originated with actors playing deities in the theaters of Greece. But for a religious writer of a different persuasion in the 21st century, it causes problems. Continue reading

How writing a novel differs from writing a screenplay: my last post on STORY

After reading my earlier posts on STORY, you might think I’m 100% sold on the book. I have to admit that I’m a fan, but I do have some quibbles, largely on the adoption of screenwriting techniques for short story or novel writing.

Differences between writing for readers and for viewers that limit the utility of STORY:

1) (The only one I noticed pointed out by McKee) You may get inside the characters heads and explore their thoughts in literature. This creates a greater intimacy between the narrator and the reader. It also means the conflict can be much more subtle and much more interior.

2) Some readers like descriptive, sensory details that can’t be experienced with film — smell and touch can be better evoked, for example (unless you’re viewing in smell-o-rama).

3) The audience must work harder when reading print–in a good way.

4) When contrasted with other useful literary guides, you see some shortfalls. Continue reading

Most writers procrastinate. But why?

My best friend and fellow writer, Cy, sent me a link to an article in the current Atlantic about why writers are infamous procrastinators. Read it here and tell me what you think. And don’t forget to include the reasons you procrastinate in your comment. Personally, it took a relative taking me aside and disabusing me of the notion that talent is the source of success (or even deserves any praise). But my current biggest barrier to writing is poor time management. I tend to pick distractions or less important writing tasks over the more serious ones.