Following up on a suggestion (I wish I could remember who passed along this hint!), I was scoping out historically significant anniversaries occurring in 2014 as potential topics for my writing.
St. Louis, Missouri – 250 years and counting!
In theory, choosing a topic that’s–well, topical–can be a marketing advantage. Unfortunately, none of the anniversaries I’ve found has inspired me so far, but I thought they would be worth sharing because maybe one of them will inspire you. Continue reading
Last week, a personal essay of mine appeared on Tablet Magazine online. As it hit the front page, I braced myself. A couple of my previous contributions to Tablet received a lot of comments…including a bunch of nasty ones. I figured this latest essay–about being Jewish during the holiday season–might ruffle the feathers of readers.
A couple days after the story was published, much to my surprise Continue reading
Last year’s Thanksgiving post deserves a second helping. And if you need more reasons to thank G-d for your rejection letters, check out a story by Nina Badzin here.
Thanksgiving is upon us here in the U.S., and this is a wonderful opportunity to reflect upon gratitude, whether you celebrate the holiday or not. I’m a big fan of Rabbi Zelig Pliskin and also of Rabbi Shalom Arush, and I’m going to combine their approaches for this writing exercise appropriate to the Thanksgiving season and year-round. This exercise is useful whether you’re Jewish or not–please don’t get turned off to it just because it was inspired by a couple of rabbis.
Rejection is just about the hardest thing to cope with when you decide you’re going to become a writer, but it’s something that you need to learn to accept graciously. When that rejection letter first comes, you are often overwhelmed by feelings of resentment, anger, and frustration. You might lash out, calling the editors idiots or saying that the publisher doesn’t know what good writing is. You…
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Mark Oppenheimer, in last Friday’s New York Times, posited that the optimistic attitude embraced by Mormons has prevented them from creating literary fiction. Sure, they have succeeded in Sci-fi (Orson Scott Card), fantasy (Stephanie Meyer), and books for teens and children (Shannon Hale, James Dashner, J. Lloyd Morgan). But how many Mormon writer’s have won Pulitzers, National Book Awards, Bookers, or Nobels?
Oppenheimer interviewed a number of Mormon writers for his article, and includes some interesting insights:
“It is a fair thing to point out,” said Shannon Hale, a Mormon who writes young adult fiction, “that there have been very prominent Jewish writers that have received a lot of accolades, and worldwide the number of Mormons are comparable to the number of Jews, so why hasn’t that happened?”
Ms. Hale’s theory is that literary fiction tends to exalt the tragic, or the gloomy, while Mormon culture prefers the sunny and optimistic.
And also:
“I’ll tell you why they write young adult,” said Ms. Nunes. “Because they don’t have to write the pages and pages of sex. They don’t want to spend a lot of time in the bedroom.”
Another author pointed out that since Mormon theology strongly identifies with the idea of a Messianic redemption, Mormon writers gravitate towards the “savior motif.”
This all got me thinking. Even though Ms. Hale correctly identified Jews as successful authors of literary fiction, Orthodox writers are not foremost among them (despite examples of some who are, like Ruchama King Feuerman and Risa Miller and even, I’d argue, Bracha Rosman and Henye Meyers). And guess what? Continue reading
I’ve got a treat here today: an interview (conducted via email) with award-winning author, Ruchama King Feuerman. Her latest book, In the Courtyard of the Kabbalist, just came out in September as an ebook. Recently, she signed a contract to expand the release to paperback. I became acquainted with Ruchama through Tablet Magazine online, where both of us have published essays. She was gracious enough to send me a copy of her new book and even more gracious to answer a few questions the novel left me with.
R.K. – In your first book, Seven Blessings, the central figure is a very strong female character. In this new book, you primarily follow two male, unmarried characters. What was that like for you as a married woman?
In the Courtyard of the Kabbalist, now out from NYRB LIT
R.K.F. – I prefer writing from the male point of view. This way I don’t worry about slippage, about parts of my personality leaking into my characters, it’s just cleaner — what’s me is me, and what’s them is them. I feel much freer to invent and have fun when I write as a man. I do tend to prefer singles maybe because they are inherently dramatic. Continue reading
While I prefer to write fiction, particularly science fiction and fantasy, I do write other genres. This includes personal essays. I took a little break from writing personal essays over the summer, mostly because writing them can be emotionally draining.
Rebecca Klempner 