Writing fiction in second person point of view is one of those fancy tricks that many people attempt, but few people pull off. I’ve always wanted to do it, but my first several tries sounded stilted and like I was trying too hard.
But this week’s Binyan (inside Hamodia) contains the first story where I think I pulled it off. I think that part of what makes it work is that it combines the first and second person. Let me explain. Continue reading
Along with writing and editing, I’ve coached writers one-on-one off-and-on for the last couple years. I’ve presented writing workshops and made author visits to groups even longer than that, but those groups always consisted of school children. Yesterday, for the first time, I combined the two and taught a writing workshop for fledgling writers aged 15 and up. Actual grown-ups attended!
Since my greatest area of expertise is writing for tots, tweens, and teens, I decided to offer a three-hour crash course in writing for those groups. My husband agreed to whisk away the kids who weren’t in school (some Jewish day school kids attend on Sunday mornings), and I prepared materials and advertised.
I thought three hours would be enough, I really did. Continue reading
A possible student for my workshop?
Audience: Ladies ages 15 and up are welcome to participate.
Date:May 25th
Time:10 am – 1 pm
Location:Private home in L.A.
Cost:$25, $18 if you refer a friend and they also commit
To sign up: Please fill out the form below.
I’m very excited to be visiting one of the local day schools tomorrow. For a change, I won’t be doing a read-aloud of Raizy. Raizy may not even come up, due to the age of the kids involved. Instead I’ll be talking about “Storytelling,” to coincide with the current unit the students are studying in school.
Fishing for a few stories on this fine morning
Breaking down storytelling in forty-five minutes will be challenging, especially at the upper-elementary school level. After a little intro, I plan on making an extended metaphor connecting storytellers to fishermen. I’m hoping it will be both instructive and age-appropriate. I’ve spent quite a bit of time preparing and concocted a whole series of visuals, and the like.
The truth is, everyone is a storyteller. Continue reading
So, in the Klempner household, preparations for Pesach — Passover — are in full swing. We’re vacuuming and scrubbing the house, the car, and the van like crazy. I’m muttering things like, “Why do I let them eat in carpool?” and “How do you get cookie crumbs in sock drawers?” under my breath.
Photo by Pptudela and available through Wikipedia Commons
One of my favorite parts of Pesach cleaning is finding things you’ve lost: the missing token from a game you’ve been wanting to play on rainy days, spare change, receipts for purchases you’ve been meaning to return, missing socks.
I’m not suggesting you pull out the 409 and start scrubbing down your file cabinets (although, if a toddler has access to its drawers, it might be a good idea). I’m suggesting that you flip through some old stories — ones you discarded incomplete, or complete but not yet ready for prime time viewing — and revisit them.
I’ve got a treat here today: an interview (conducted via email) with award-winning author, Ruchama King Feuerman. Her latest book, In the Courtyard of the Kabbalist, just came out in September as an ebook. Recently, she signed a contract to expand the release to paperback. I became acquainted with Ruchama through Tablet Magazine online, where both of us have published essays. She was gracious enough to send me a copy of her new book and even more gracious to answer a few questions the novel left me with.
R.K. – In your first book, Seven Blessings, the central figure is a very strong female character. In this new book, you primarily follow two male, unmarried characters. What was that like for you as a married woman?
In the Courtyard of the Kabbalist, now out from NYRB LIT
R.K.F. – I prefer writing from the male point of view. This way I don’t worry about slippage, about parts of my personality leaking into my characters, it’s just cleaner — what’s me is me, and what’s them is them. I feel much freer to invent and have fun when I write as a man. I do tend to prefer singles maybe because they are inherently dramatic. Continue reading
Rebecca Klempner 