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Mormon and Orthodox Jewish writers: Does optimism hold back fine writing?

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Mark Oppenheimer, in last Friday’s New York Times, posited that the optimistic attitude embraced by Mormons has prevented them from creating literary fiction. Sure, they have succeeded in Sci-fi (Orson Scott Card), fantasy (Stephanie Meyer), and books for teens and children (Shannon Hale, James Dashner, J. Lloyd Morgan).  But how many Mormon writer’s have won Pulitzers, National Book Awards, Bookers, or Nobels?

Oppenheimer interviewed a number of Mormon writers for his article, and includes some interesting insights:

“It is a fair thing to point out,” said Shannon Hale, a Mormon who writes young adult fiction, “that there have been very prominent Jewish writers that have received a lot of accolades, and worldwide the number of Mormons are comparable to the number of Jews, so why hasn’t that happened?”

Ms. Hale’s theory is that literary fiction tends to exalt the tragic, or the gloomy, while Mormon culture prefers the sunny and optimistic.

And also:

“I’ll tell you why they write young adult,” said Ms. Nunes. “Because they don’t have to write the pages and pages of sex. They don’t want to spend a lot of time in the bedroom.”

Another author pointed out that since Mormon theology strongly identifies with the idea of a Messianic redemption, Mormon writers gravitate towards the “savior motif.”

This all got me thinking. Even though Ms. Hale correctly identified Jews as successful authors of literary fiction, Orthodox writers are not foremost among them (despite examples of some who are, like Ruchama King Feuerman and Risa Miller and even, I’d argue, Bracha Rosman and Henye Meyers). And guess what? Continue reading →

In the Courtyard of the Novelist: An interview with Ruchama King Feuerman

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I’ve got a treat here today: an interview (conducted via email) with award-winning author, Ruchama King Feuerman. Her latest book, In the Courtyard of the Kabbalist, just came out in September as an ebook. Recently, she signed a contract to expand the release to paperback. I became acquainted with Ruchama through Tablet Magazine online, where both of us have published essays. She was gracious enough to send me a copy of her new book and even more gracious to answer a few questions the novel left me with.

R.K. – In your first book, Seven Blessings, the central figure is a very strong female character. In this new book, you primarily follow two male, unmarried characters. What was that like for you as a married woman?

new book from Ruchama King Feuerman

In the Courtyard of the Kabbalist, now out from NYRB LIT

R.K.F. – I prefer writing from the male point of view. This way I don’t worry about slippage, about parts of  my personality leaking into my characters, it’s just cleaner — what’s me is me, and what’s them is them.  I feel much freer to invent and have fun when I write as a man.  I do tend to prefer singles maybe because they are inherently dramatic. Continue reading →

Writers don’t live on desert islands

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A couple weeks ago, a writer I’m friendly with asked in passing if I’d finished revising my novel. I told her that I felt like the rewrite wouldn’t happen until I moved to a desert island. Until that point, there would be distractions: carpool, laundry, cooking, deadlines on other writing projects…and more carpool.

Moving to the desert island is no escape

It kinda got me down.

My writer friend suggested that I apply for a writing retreat. Not quite a desert island, but close enough. Continue reading →

Is poetry as we know it dead? Goldsmith speculates the “meme machine” has taken over.

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This week, The New Yorker book blog published a post by Kenneth Goldsmith about the proliferation of rather un-poetic  “poetry” spreading across the internet. He writes:

[T]he Canadian media scholar Darren Wershler…has been making some unexpected connections between meme culture and contemporary poetry. “These artifacts,” Wershler claims, “aren’t conceived of as poems; they aren’t produced by people who identify as poets; they circulate promiscuously, sometimes under anonymous conditions; and they aren’t encountered by interpretive communities that identify them as literary.”

…It’s not uncommon to see blogs that recount someone’s every sneeze since 2007, or of a man who shoots exactly one second of video every day and strings the clips together in time-lapsed mashups. Continue reading →

What? No love triangle? How books for Jewish teens fit into current YA trends

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If you ask observant Jewish teens here in the U.S. whether they overall prefer Jewish books or secular ones, most of them will tell you secular books (trust me, I write for teens, so I’ve asked). Sad, but true.

Why most Orthodox teens prefer secular books

Interestingly, some of these teens will tell you that they wish there were more Jewish books for teens that suited them. Others will tell you they don’t like either Jewish or secular novels — the former don’t engage them, and latter conflict with their religious beliefs.

Thursday, I caught an excellent article on CNN about the history of YA novels in the U.S. You can read it here. There was little that was news to me in the article, but it did make me think about something that’s troubled me for a while — namely why so many Jewish teens are enthralled by secular books that don’t necessarily reflect the values of their families.

Let’s consider why secular YA books are currently selling like hotcakes. Continue reading →

Creating convincing inner conflict in characters

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Literary inspiration comes from some weird places.

Case in point: What I learned about writing from mussar

On Shabbat, I mostly stick to reading materials with Jewish content. This is just one of the ways I make it distinct from the other days of the week. Over the last several months, I’ve been nickel and diming it through Strive for Truth, Rabbi Aryeh Carmell’s English translation of the Michtav Me’Eliyahu by Rabbi Eliyahu Dessler. This book is considered a classic of mussar, the refinement of character through the lens of Torah.

When I say “nickel and diming it,” I mean this: read a couple pages, realize I didn’t really get it, re-read. Take a nap, shmooze with my husband, or hang out with the kids; pick up the book again. Realize I don’t remember how we got to this part of the essay, then backtrack and again re-read the last couple paragraphs before hitting some new material and starting all over again.

Kinda like reading Durkheim. Really heavy stuff.

Anyway, this week, when I picked up Strive for Truth after Shabbat dinner, I was forced to re-read the first half of the essay I’d begun last week. The essay is about free will. Continue reading →